<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Letters on Arts and Culture</title><link>https://www.wsws.org/en/topics/lettersCategory/c-arts</link><description /><item><title>Writers, biographers protest W.W. Norton’s decision to “permanently” remove Blake Bailey’s biography of Philip Roth from print</title><link>https://www.wsws.org/en/articles/2021/05/04/bail-m04.html</link><description>Bailey’s book, likely to be the standard work on Roth’s life for some time to come, has been “pulped” and its author turned overnight into a “non-person.” There is no precedent for this in recent times.</description><pubDate>Tue, 04 May 2021 05:28:46 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4c076a3d-6e08-4c3f-8f93-c724ddfcdb3I/bail-m04.html</guid><dc:date>2021-05-04T05:28:46Z</dc:date></item><item><title>The contemporary relevance of Ludwig van Beethoven on the 250th anniversary of his birth</title><link>https://www.wsws.org/en/articles/2020/12/17/beet-d17.html</link><description>Beethoven was the most profound musical voice during a period in which humanity progressed in quantum leaps. His works are ineradicably connected with the striving for human liberation.</description><pubDate>Thu, 17 Dec 2020 05:05:09 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3ea4cb75-1cf7-430c-8dbd-51443ef4bafD/beet-d17.html</guid><dc:date>2020-12-17T05:05:09Z</dc:date></item><item><title>&lt;em&gt;Jacob Lawrence: The American Struggle&lt;/em&gt;—A remarkable exhibition</title><link>https://www.wsws.org/en/articles/2020/11/19/lawr-n19.html</link><description>A timely and long overdue exhibition of &lt;em&gt;Struggle: From the History of the American People&lt;/em&gt; reunites this remarkable series of paintings by Jacob Lawrence, the famed African-American artist, for the first time since they were completed in 1956.</description><pubDate>Thu, 19 Nov 2020 02:16:03 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/67cd6d4e-a02f-4185-a8f7-4f4a11867d7J/lawr-n19.html</guid><dc:date>2020-11-19T02:16:03Z</dc:date></item><item><title>German artists, cultural institutions fight for survival in COVID-19 crisis</title><link>https://www.wsws.org/en/articles/2020/11/17/cult-n17.html</link><description>German artists and cultural institutions fear bankruptcy and destitution as the coronavirus crisis deepens and the government refuses to allocate adequate funding.</description><pubDate>Tue, 17 Nov 2020 04:02:39 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/6fc9de09-0cca-411f-b557-0aea288c215L/cult-n17.html</guid><dc:date>2020-11-17T04:02:39Z</dc:date></item><item><title>&lt;em&gt;Collected Ghazals&lt;/em&gt;: Poet Jim Harrison regains spontaneity through a fixed verse form</title><link>https://www.wsws.org/en/articles/2020/11/04/harr-n04.html</link><description>Harrison’s eclectic approach to the ghazal produced collage-like poems that combine personal and social concerns.</description><pubDate>Wed, 04 Nov 2020 03:48:29 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/eebe316a-3f62-481c-aad3-1bf19867144H/harr-n04.html</guid><dc:date>2020-11-04T03:48:29Z</dc:date></item><item><title>Right-wing press in Germany steps up attacks on pianist Igor Levit</title><link>https://www.wsws.org/en/articles/2020/10/26/levi-o26.html</link><description>The &lt;em&gt;Süddeutsche Zeitung&lt;/em&gt; editorial board’s initial defence of its article, as well as subsequent articles in &lt;em&gt;Die Welt&lt;/em&gt;, &lt;em&gt;Frankfurter Allgemeine Zeitung&lt;/em&gt; and &lt;em&gt;Neue Zürcher Zeitung&lt;/em&gt;, reveal that these leading newspapers share essentially the same line as the far right Alternative for Germany.</description><pubDate>Mon, 26 Oct 2020 02:57:16 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ebd2107c-ec18-45f1-acec-2d34b51e731G/levi-o26.html</guid><dc:date>2020-10-26T02:57:16Z</dc:date></item><item><title>&lt;em&gt;On the brink&lt;/em&gt;: A photographic examination of social cleansing in London</title><link>https://www.wsws.org/en/articles/2020/10/22/doug-o22.html</link><description>“My aim is to focus on existing council properties that have been neglected due to the lack of maintenance. It’s imperative to showcase the decay of these buildings as it’s been a deliberate strategy to run them down.”—photographic artist Sarah Douglas</description><pubDate>Wed, 21 Oct 2020 22:48:59 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9b0047d9-031e-4468-aacb-f1c626bd241G/doug-o22.html</guid><dc:date>2020-10-21T22:48:59Z</dc:date></item><item><title>Further signs of the “devastating impact” of the pandemic on arts and artists: What are the implications?</title><link>https://www.wsws.org/en/articles/2020/10/21/arts-o21.html</link><description>The ongoing destruction of the jobs, incomes and aspirations of tens of thousands of artists of every kind in the US and elsewhere has a significance that goes beyond the immediate cultural sphere.</description><pubDate>Wed, 21 Oct 2020 01:51:12 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/831122f8-edd3-4877-bda9-d8a49b06b13F/arts-o21.html</guid><dc:date>2020-10-21T01:51:12Z</dc:date></item><item><title>Rick Poynor’s &lt;em&gt;David King: Designer, Activist, Visual Historian&lt;/em&gt;: An important new work on the revolutionary socialist, artist and defender of historical truth</title><link>https://www.wsws.org/en/articles/2020/10/16/king-o16.html</link><description>If David King is not better known, it is attributable largely to the shift to the right in so-called intellectual circles, their hostility to the October Revolution and their growing social indifference.</description><pubDate>Fri, 16 Oct 2020 03:34:47 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3308465a-1c72-4140-a8a4-f9ad3c7f1e2O/king-o16.html</guid><dc:date>2020-10-16T03:34:47Z</dc:date></item><item><title>Live music industry in the US faces “massive collapse” due to pandemic</title><link>https://www.wsws.org/en/articles/2020/10/14/conc-o14.html</link><description>The devastation has implications that go beyond even the immediate economic situation, as desperate as that is. The coronavirus crisis is threatening to wipe out a considerable portion of cultural life in the US.</description><pubDate>Wed, 14 Oct 2020 03:42:23 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ae6174c5-829a-46b0-8db0-fbb283c29caA/conc-o14.html</guid><dc:date>2020-10-14T03:42:23Z</dc:date></item><item><title>Tenor Placido Domingo, defending his character and reputation, retracts “apologies” for alleged sexual harassment</title><link>https://www.wsws.org/en/articles/2020/09/29/plac-s29.html</link><description>Operatic tenor Placido Domingo told an interviewer for Spanish television last Saturday that his apologies last February for alleged sexual misconduct had been taken out of context, and that he was not guilty of abuse or mistreatment.</description><pubDate>Tue, 29 Sep 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/782d1cac-5f94-4cc2-89f4-b5a6902477eP/plac-s29.html</guid><dc:date>2020-09-29T05:00:00Z</dc:date></item><item><title>&lt;em&gt;76 Days&lt;/em&gt;: The drama of the Wuhan lockdown</title><link>https://www.wsws.org/en/articles/2020/09/23/tff1-s23.html</link><description>This year’s event presented some 60 feature films, a sharp decline from the more than 330 screened in 2019, with the festival organizers forecasting a 50 percent decline in revenue throughout 2020.</description><pubDate>Wed, 23 Sep 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1d952874-a55e-4b16-a903-29ba7b4a8e6O/tff1-s23.html</guid><dc:date>2020-09-23T05:00:00Z</dc:date></item><item><title>&lt;em&gt;Ghosts of West Virginia&lt;/em&gt;: A moving new album by Steve Earle &amp;amp; The Dukes</title><link>https://www.wsws.org/en/articles/2020/08/27/earl-a27.html</link><description>The album was created in conjunction with a stage play about the 2010 Upper Big Branch (UBB) mine explosion in West Virginia, which killed 29 coal miners.</description><pubDate>Thu, 27 Aug 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9ee41f16-50ca-4597-aec8-bc296fce7c1B/earl-a27.html</guid><dc:date>2020-08-27T05:00:00Z</dc:date></item><item><title>Julian Bream (1933-2020): Pioneer of the classical guitar</title><link>https://www.wsws.org/en/articles/2020/08/26/brea-a26.html</link><description>A turning point for Bream was hearing recordings of Andrés Segovia (1893-1987), another great guitarist, whose transcriptions of Baroque compositions helped shape the modern repertoire.</description><pubDate>Wed, 26 Aug 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8ff3a9c4-cb0e-4b6f-a6c5-b3638b5b65bH/brea-a26.html</guid><dc:date>2020-08-26T05:00:00Z</dc:date></item><item><title>Sinclair Lewis’s novel &lt;em&gt;Main Street&lt;/em&gt; at 100</title><link>https://www.wsws.org/en/articles/2020/07/16/main-j16.html</link><description>This year marks the 100th anniversary of the publication of &lt;em&gt;Main Street&lt;/em&gt;, the breakthrough work of an author who would become, in 1930, the first American awarded the Nobel Prize for literature.</description><pubDate>Thu, 16 Jul 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1e64201b-25fd-4294-a76c-887aa2dac5bG/main-j16.html</guid><dc:date>2020-07-16T05:00:00Z</dc:date></item><item><title>American comic writer and performer Carl Reiner, 1922-2020</title><link>https://www.wsws.org/en/articles/2020/07/02/rein-j02.html</link><description>Reiner may not be a name known by many under a certain age, but his influence and impact on American comedy and performance in the postwar period was considerable.</description><pubDate>Thu, 02 Jul 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/60800810-fead-4fa0-bda2-f68294b64f6P/rein-j02.html</guid><dc:date>2020-07-02T05:00:00Z</dc:date></item><item><title>Season 4 of Netflix’s &lt;em&gt;13 Reasons Why&lt;/em&gt;: Biting off more than it can chew</title><link>https://www.wsws.org/en/articles/2020/07/01/thir-j01.html</link><description>The latest season is the final one in the series about the lives and difficult circumstances of a group of teenagers at fictional Liberty High School.</description><pubDate>Wed, 01 Jul 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/c9b4b54a-16b3-4c88-9981-34f10aa055aM/thir-j01.html</guid><dc:date>2020-07-01T05:00:00Z</dc:date></item><item><title>The coronavirus crisis, the government’s aid package and the attempt to strangle German art</title><link>https://www.wsws.org/en/articles/2020/06/25/germ-j25.html</link><description>On closer inspection, the German government’s aid package proves to be a sham and a step towards neutering and strangling a diverse cultural landscape.</description><pubDate>Thu, 25 Jun 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e22dfb8d-a0e0-4293-845d-7ad1bdbd700N/germ-j25.html</guid><dc:date>2020-06-25T05:00:00Z</dc:date></item><item><title>Cultural resources wiped out by COVID-19 crisis: 13 percent of museums worldwide may never reopen</title><link>https://www.wsws.org/en/articles/2020/05/27/muse-m27.html</link><description>Some 95 percent of the world’s museums are currently closed, and more than 11,000 institutions may remain closed after the pandemic recedes.</description><pubDate>Wed, 27 May 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/b613443e-c185-45b6-be5f-3839fc9e2f5M/muse-m27.html</guid><dc:date>2020-05-27T05:00:00Z</dc:date></item><item><title>The New York Times exposes journalist, #MeToo crusader Ronan Farrow as a dishonest fraud</title><link>https://www.wsws.org/en/articles/2020/05/20/smit-m20.html</link><description>Farrow has been the golden boy of the American media since the publication of his supposed exposé of Harvey Weinstein in the &lt;em&gt;New Yorker&lt;/em&gt; magazine in October 2017.</description><pubDate>Wed, 20 May 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/97e4f20a-bb59-45ec-8d7f-d9509e7adf3A/smit-m20.html</guid><dc:date>2020-05-20T05:00:00Z</dc:date></item><item><title>&lt;em&gt;Fetch the Bolt Cutters:&lt;/em&gt; One small step for Fiona Apple</title><link>https://www.wsws.org/en/articles/2020/05/15/appl-m15.html</link><description>The new album, which resonates during our time of quarantine, reflects the singer’s personal growth, as well as the regressive influences of her Hollywood-celebrity environment.</description><pubDate>Fri, 15 May 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/60d078f5-a37f-4259-af7b-3020a78d13fF/appl-m15.html</guid><dc:date>2020-05-15T05:00:00Z</dc:date></item><item><title>Classical musicians, orchestras and opera companies confront COVID-19 lockdown</title><link>https://www.wsws.org/en/articles/2020/04/29/musi-a29.html</link><description>Freelance and younger musicians are especially hard hit by cancellations and shutdowns.</description><pubDate>Wed, 29 Apr 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/88a29f0f-8202-43cf-8c9f-d8374b7b326J/musi-a29.html</guid><dc:date>2020-04-29T05:00:00Z</dc:date></item><item><title>COVID-19’s devastating impact on artists</title><link>https://www.wsws.org/en/articles/2020/04/29/arts-a29.html</link><description>Ninety-five percent of arts workers in the US have lost income due to the coronavirus pandemic, with 62 percent now unemployed, according to a recently published survey by Americans for the Arts.</description><pubDate>Wed, 29 Apr 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/03111d90-5321-4bd3-92db-147e7ac9125E/arts-a29.html</guid><dc:date>2020-04-29T05:00:00Z</dc:date></item><item><title>&lt;em&gt;Star Trek: Picard&lt;/em&gt;—The prospects of an aging icon</title><link>https://www.wsws.org/en/articles/2020/04/18/pica-a18.html</link><description>Set late in the 24th century, &lt;em&gt;Star Trek: Picard&lt;/em&gt; concluded its 10-episode season in March to generally favourable reviews, if a mixed reception from the faithful.</description><pubDate>Sat, 18 Apr 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4afcedcc-8312-4898-a417-f11097c9988M/pica-a18.html</guid><dc:date>2020-04-18T05:00:00Z</dc:date></item><item><title>Detroit Symphony musicians to take 20 percent pay cut</title><link>https://www.wsws.org/en/articles/2020/04/15/orch-a15.html</link><description>Orchestras, opera companies, museums and other cultural institutions face severe revenue strains due to the COVID-19 pandemic and are responding with major cuts.</description><pubDate>Wed, 15 Apr 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/6e4770e4-8755-4656-8d36-44020849143P/orch-a15.html</guid><dc:date>2020-04-15T05:00:00Z</dc:date></item><item><title>Leading orchestras and musicians move to free online performances in response to the coronavirus pandemic</title><link>https://www.wsws.org/en/articles/2020/03/17/musi-m17.html</link><description>Some of the most important cultural achievements of humanity, previously locked behind paywalls or limited to local audiences, are now available to virtually everyone in the world who has access to the Internet.</description><pubDate>Tue, 17 Mar 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/7bb66ee2-9658-48f4-8085-f4fb3ac7a19J/musi-m17.html</guid><dc:date>2020-03-17T05:00:00Z</dc:date></item><item><title>A comment by writer and director Andrew Birkin on Speer Goes to Hollywood</title><link>https://www.wsws.org/en/articles/2020/03/13/birk-m13.html</link><description>The WSWS has received a letter from writer and director Andrew Birkin in response to its review, posted on March 11, of Speer Goes to Hollywood .</description><pubDate>Fri, 13 Mar 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/041112a2-6147-4420-9698-1f6fdf7ec16I/birk-m13.html</guid><dc:date>2020-03-13T05:00:00Z</dc:date></item><item><title>The controversy surrounding Jeanine Cummins’s novel &lt;em&gt;American Dirt&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2020/03/03/dirt-m03.html</link><description>The novel &lt;em&gt;American Dirt&lt;/em&gt; by Jeanine Cummins, which describes the plight of refugees in Mexico, has come under attack primarily because its author is not Latina.</description><pubDate>Tue, 03 Mar 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/cd1fa511-58ba-4020-8f17-4be23ad9770I/dirt-m03.html</guid><dc:date>2020-03-03T05:00:00Z</dc:date></item><item><title>&lt;em&gt;National Security Cinema: The Shocking New Evidence of Government Control in Hollywood&lt;/em&gt;—How the US military and CIA go about their propaganda operations</title><link>https://www.wsws.org/en/articles/2020/02/27/nsec-f27.html</link><description>The book, by Matthew Alford and Tom Secker, presents extensive evidence that US government departments and agencies use multiple means to manipulate content and even block production of Hollywood films.</description><pubDate>Thu, 27 Feb 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3607b81e-33f5-4806-a173-91f0c2082bfA/nsec-f27.html</guid><dc:date>2020-02-27T05:00:00Z</dc:date></item><item><title>2020 Academy Awards: Bong Joon-ho’s &lt;em&gt;Parasite&lt;/em&gt; from South Korea wins major awards</title><link>https://www.wsws.org/en/articles/2020/02/11/acad-f11.html</link><description>&lt;em&gt;Parasite&lt;/em&gt; deserved to win the most serious awards, being markedly superior to every other film up for consideration. Bong’s effort is a complex, troubling work.</description><pubDate>Tue, 11 Feb 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/f24873f5-311b-4678-8041-1c10858b24cH/acad-f11.html</guid><dc:date>2020-02-11T05:00:00Z</dc:date></item><item><title>Neil Peart, renowned drummer for rock band Rush, dead at 67</title><link>https://www.wsws.org/en/articles/2020/01/14/pear-j14.html</link><description>Peart, the hard-driving drummer and lyricist of the Canadian progressive rock band Rush, died on January 7 at the age of 67.</description><pubDate>Tue, 14 Jan 2020 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/aa5fe911-832a-4ad5-a189-e5f6b19ce64P/pear-j14.html</guid><dc:date>2020-01-14T05:00:00Z</dc:date></item><item><title>Scott Z. Burns’ &lt;em&gt;The Report&lt;/em&gt;  exposes CIA torture, then absolves the Democrats</title><link>https://www.wsws.org/en/articles/2019/11/29/repo-n29.html</link><description>&lt;em&gt;The Report&lt;/em&gt; is a film dramatization of the events surrounding the US Senate Intelligence Committee’s investigation into and writing of a report on pervasive CIA torture under the Bush administration.</description><pubDate>Fri, 29 Nov 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/70122e4e-85a4-485a-97cf-031e362cd52C/repo-n29.html</guid><dc:date>2019-11-29T05:00:00Z</dc:date></item><item><title>Modern-day philistinism and reaction: the New York Times considers “canceling” French painter Paul Gauguin</title><link>https://www.wsws.org/en/articles/2019/11/25/gaug-n25.html</link><description>The &lt;em&gt;Times&lt;/em&gt; published an article November 18 with a headline that posed the question, “Is It Time Gauguin Got Canceled?”</description><pubDate>Mon, 25 Nov 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4638bdaf-0044-44ee-8e39-0a09299800cK/gaug-n25.html</guid><dc:date>2019-11-25T05:00:00Z</dc:date></item><item><title>Michael Winterbottom’s &lt;em&gt;Greed&lt;/em&gt;: A searing indictment of the super-rich</title><link>https://www.wsws.org/en/articles/2019/11/18/gree-n18.html</link><description>&lt;em&gt;Greed&lt;/em&gt; offers a sharp and often funny critique of the impact on society of rule by a criminal financial oligarchy and deserves a wide audience.</description><pubDate>Mon, 18 Nov 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/d52c3455-62c7-4052-be97-8b8c58cb2b6L/gree-n18.html</guid><dc:date>2019-11-18T05:00:00Z</dc:date></item><item><title>Striking Baltimore Symphony Orchestra musicians return to work, ending three-month work stoppage</title><link>https://www.wsws.org/en/articles/2019/09/30/balt-s30.html</link><description>The one-year contract signed last week accedes to management’s demands to cut the symphony’s summer season, while doing nothing to guarantee salaries.</description><pubDate>Mon, 30 Sep 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/0317fbcf-ab88-4141-ae89-3928e1c30b8N/balt-s30.html</guid><dc:date>2019-09-30T05:00:00Z</dc:date></item><item><title>&lt;em&gt;Once Upon a Time… in Hollywood&lt;/em&gt;: Quentin Tarantino’s non-conformist conformism</title><link>https://www.wsws.org/en/articles/2019/07/31/once-j31.html</link><description>Tarantino’s latest film reimagines 1969 Los Angeles and the disintegration of the traditional studio system.</description><pubDate>Wed, 31 Jul 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/2118d085-939b-46cc-a2f6-6c8702ffd05K/once-j31.html</guid><dc:date>2019-07-31T05:00:00Z</dc:date></item><item><title>Modern art in Germany and the Nazis Part 2: The Die Brücke painters</title><link>https://www.wsws.org/en/articles/2019/07/26/mode-j26.html</link><description>The exhibition at the Brücke Museum represents a welcome change in favour of art appreciation based on a critical examination of contemporary history.</description><pubDate>Fri, 26 Jul 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/894b84be-c40a-4bc9-b574-9b9c97f61e8C/mode-j26.html</guid><dc:date>2019-07-26T05:00:00Z</dc:date></item><item><title>Racialism and money-grubbing: The New York Times explains why “more critics of color” are needed</title><link>https://www.wsws.org/en/articles/2019/07/09/mend-j09.html</link><description>In the interests of honesty, “Race-fixated upper middle class continues its campaign for positions and money” ought to have been the headline of an opinion piece published by the &lt;em&gt;New York Times&lt;/em&gt; July 5.</description><pubDate>Tue, 09 Jul 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1f7b50b2-e62d-43a8-9a60-3345faf7f55E/mend-j09.html</guid><dc:date>2019-07-09T05:00:00Z</dc:date></item><item><title>&lt;em&gt;Marching Song&lt;/em&gt;, play co-written by Orson Welles about abolitionist John Brown, to be published after 85 years</title><link>https://www.wsws.org/en/articles/2019/07/02/marc-j02.html</link><description>Todd Tarbox has edited the play and Rowman &amp; Littlefield will publish it in August. This is a significant cultural event. &lt;em&gt;Marching Song&lt;/em&gt; is an important historical drama.</description><pubDate>Tue, 02 Jul 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3d897a22-431e-4e99-911e-17349165b47K/marc-j02.html</guid><dc:date>2019-07-02T05:00:00Z</dc:date></item><item><title>A conversation with Todd Tarbox, editor of &lt;em&gt;Marching Song&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2019/07/02/tarb-j02.html</link><description>David Walsh spoke recently with Todd Tarbox, who has edited and overseen the publication of &lt;em&gt;Marching Song&lt;/em&gt;, a play co-written by Orson Welles in 1932 about the abolitionist John Brown.</description><pubDate>Tue, 02 Jul 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/44237498-93a4-453d-9968-511b59bdb33L/tarb-j02.html</guid><dc:date>2019-07-02T05:00:00Z</dc:date></item><item><title>San Francisco School Board votes to destroy left-wing murals they claim are “racist” and “white supremacist”</title><link>https://www.wsws.org/en/articles/2019/06/28/sfmu-j28.html</link><description>On Tuesday evening, the San Francisco Unified School Board voted unanimously to destroy or cover over the historic 1936 “Life of George Washington Murals” at a district high school. The vote is a reactionary decision that marks a new stage in the censorship drive that began last December.</description><pubDate>Fri, 28 Jun 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ec7238d1-701b-4ff9-ae48-914c035abd8M/sfmu-j28.html</guid><dc:date>2019-06-28T05:00:00Z</dc:date></item><item><title>San Francisco residents voice opposition to censorship of George Washington High School murals</title><link>https://www.wsws.org/en/articles/2019/06/28/inte-j28.html</link><description>Numerous residents spoke out against the destruction of art and the need to contextualize the murals for a younger audience.</description><pubDate>Fri, 28 Jun 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/aa9cc3f1-150e-426b-8b46-ede57f1ee2dC/inte-j28.html</guid><dc:date>2019-06-28T05:00:00Z</dc:date></item><item><title>Behind the cover-up of the 2008 Universal Music Group vault fire</title><link>https://www.wsws.org/en/articles/2019/06/17/fire-j17.html</link><description>The recent exposure of Universal Music Group's concealment of the loss of a huge trove of postwar popular music reveals the corruption of the corporate elite, as well as the compliance of news media.</description><pubDate>Mon, 17 Jun 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/19d62c86-ae61-4ccd-92ba-5cc037269baA/fire-j17.html</guid><dc:date>2019-06-17T05:00:00Z</dc:date></item><item><title>Mayor Emanuel intervenes to shut down Chicago Symphony Orchestra strike</title><link>https://www.wsws.org/en/articles/2019/04/26/csom-a26.html</link><description>As part of his final act on behalf of the city’s financial elite, outgoing Mayor Rahm Emanuel has offered to intervene to end the nearly two-month strike by Chicago Symphony Orchestra (CSO) musicians</description><pubDate>Fri, 26 Apr 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/fcb64a18-9fbd-4683-b338-32d748fcbdeO/csom-a26.html</guid><dc:date>2019-04-26T05:00:00Z</dc:date></item><item><title>&lt;em&gt;Paper Flags&lt;/em&gt;, &lt;em&gt;Tehran: City of Love&lt;/em&gt; and &lt;em&gt;Belmonte&lt;/em&gt;—Alienation, loneliness and other problems</title><link>https://www.wsws.org/en/articles/2019/04/26/sff1-a26.html</link><description>&lt;em&gt;Paper Flags&lt;/em&gt;, &lt;em&gt;Tehran: City of Love&lt;/em&gt; and &lt;em&gt;Belmonte&lt;/em&gt;—three films from France, Iran and Uruguay, respectively—were screened at the recent San Francisco film festival.</description><pubDate>Fri, 26 Apr 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/b296efd2-ef09-4bb3-840c-09ad2a306c0H/sff1-a26.html</guid><dc:date>2019-04-26T05:00:00Z</dc:date></item><item><title>Warner Bros. CEO’s resignation sheds revealing light on Hollywood and #MeToo campaign</title><link>https://www.wsws.org/en/articles/2019/03/22/kirk-m22.html</link><description>Kevin Tsujihara, one of the American film industry’s most powerful executives, resigned March 18 after texts were made public indicating he had promised to promote an actress’ career in exchange for sex.</description><pubDate>Fri, 22 Mar 2019 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/aec6cb29-c282-48ef-bb2c-0fa2800a12eA/kirk-m22.html</guid><dc:date>2019-03-22T05:00:00Z</dc:date></item><item><title>A reply to a comment on the obituary of Sri Lankan filmmaker Lester James Peries</title><link>https://www.wsws.org/en/articles/2018/07/24/repl-j24.html</link><description>Our basic objective was to examine Peries’s general contribution to Sri Lankan cinema and how he came to be known as its father.</description><pubDate>Tue, 24 Jul 2018 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/0badd843-a499-44b8-97c6-8c9a5d3b42bF/repl-j24.html</guid><dc:date>2018-07-24T05:00:00Z</dc:date></item><item><title>A concert of relative rarities by American composer Aaron Copland</title><link>https://www.wsws.org/en/articles/2016/04/23/copl-a23.html</link><description>Copland’s jazz-influenced Piano Concerto deserves a higher profile in the orchestral repertoire.</description><pubDate>Sat, 23 Apr 2016 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9768860e-5735-40f9-b57b-f69e3cad465N/copl-a23.html</guid><dc:date>2016-04-23T05:00:00Z</dc:date></item><item><title>Stephen Parker’s &lt;em&gt;Bertolt Brecht. A Literary Life&lt;/em&gt;—a welcome biography that raises big historical issues</title><link>https://www.wsws.org/en/articles/2016/04/18/brec-a18.html</link><description>One of the most talented and influential playwrights of the 20th century, Brecht adapted to Stalinism, with pernicious consequences for his career and work.</description><pubDate>Mon, 18 Apr 2016 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e871614f-3fe2-419b-a298-69373e5cc05I/brec-a18.html</guid><dc:date>2016-04-18T05:00:00Z</dc:date></item><item><title>Professors’ group charges Obama administration with undermining academic freedom and due process</title><link>https://www.wsws.org/en/articles/2016/03/30/aaup-m30.html</link><description>A report by the American Association of University Professors points to the reactionary role of the sexual harassment industry on university campuses.</description><pubDate>Wed, 30 Mar 2016 05:00:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/35cf61d6-fdfc-4b7f-b9ce-c0d9104b9a8K/aaup-m30.html</guid><dc:date>2016-03-30T05:00:00Z</dc:date></item></channel></rss>