<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>US History</title><link>https://www.wsws.org/en/topics/historySubCategory/h-uslab</link><description /><item><title>Gordon S. Wood, 1933-2026: Leading historian of the American Revolution</title><link>https://www.wsws.org/en/articles/2026/06/09/abxu-j09.html</link><description>Gordon S. Wood, 92, a leading historian of the American Revolution, died Sunday after being struck by a car. His career spanned more than half a century, most of it at Brown University, where he trained generations of early Americanists and helped shape modern interpretation of the Revolutionary era. </description><pubDate>Tue, 09 Jun 2026 04:19:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/fd206ded-cd9f-4102-a071-c074fec0ceeI/abxu-j09.html</guid><dc:date>2026-06-09T04:19:00Z</dc:date></item><item><title>“Saxophone Colossus” Sonny Rollins dies at 95 </title><link>https://www.wsws.org/en/articles/2026/06/06/yvku-j06.html</link><description>His death marks the physical and “biographical” end of an era that began with the founding of bebop in New York during the final years of World War II.</description><pubDate>Sat, 06 Jun 2026 01:28:23 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/de81e71e-607e-44af-8526-7f9a97d6e51E/yvku-j06.html</guid><dc:date>2026-06-06T01:28:23Z</dc:date></item><item><title>Miles Davis at 100, a complex figure reflecting a complex time</title><link>https://www.wsws.org/en/articles/2026/05/30/hyqs-m30.html</link><description>The jazz world is celebrating the centenary of jazz trumpet master and bandleader Miles Davis, one of the 20th century’s most impactful musicians.</description><pubDate>Sat, 30 May 2026 01:31:38 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1a40549e-0bfb-4b01-b71a-9b43e3d0e90A/hyqs-m30.html</guid><dc:date>2026-05-30T01:31:38Z</dc:date></item><item><title>Lincoln and the enduring legacy of America’s second revolution: A reply to a critic of the “Letter from afar”</title><link>https://www.wsws.org/en/articles/2026/05/22/dwwg-m22.html</link><description>It is “fitting and proper,” to use Lincoln’s words, to invoke the historical experience of America’s past revolutions to bring to the surface and activate the deep-rooted democratic convictions of the working class.</description><pubDate>Fri, 22 May 2026 20:31:02 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8897e3f9-88c6-496b-be9b-2f891367e86K/dwwg-m22.html</guid><dc:date>2026-05-22T20:31:02Z</dc:date></item><item><title>A letter from afar by A. Lincoln</title><link>https://www.wsws.org/en/articles/2026/05/19/jiok-m19.html</link><description>The following letter, signed “A. Lincoln” but without a return address or subject line, appeared in my email this morning. No sooner had I made a copy of the letter than it disappeared from my inbox. Despite its strange and unexplained origin, the signature demands that attention be given to the letter; and, for this reason, it is being made available to readers of the WSWS.</description><pubDate>Tue, 19 May 2026 19:33:54 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/247cefd8-f22a-49dd-b416-a98737a4f52F/jiok-m19.html</guid><dc:date>2026-05-19T19:33:54Z</dc:date></item><item><title>From Port Huron to postmodernism: The class politics of the “New” Students for a Democratic Society</title><link>https://www.wsws.org/en/articles/2026/05/04/ikaa-m04.html</link><description>The &quot;New&quot; SDS substitutes identity politics for class analysis, bourgeois nationalism for socialist internationalism and protest theater for the independent mobilization of the working class against the capitalist parties and the system they defend.</description><pubDate>Mon, 04 May 2026 01:26:07 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/f33eafc0-e9a9-41ed-a748-3ac1fdc250aJ/ikaa-m04.html</guid><dc:date>2026-05-04T01:26:07Z</dc:date></item><item><title>Gettysburg and the New Birth of Freedom—then and now</title><link>https://www.wsws.org/en/articles/2026/04/28/ypfp-a28.html</link><description>We are publishing a lecture delivered by WSWS contributor Tom Mackaman to the International Youth and Students for Social Equality at Gettysburg University on April 23.</description><pubDate>Tue, 28 Apr 2026 04:14:26 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/c3443a47-9692-4da5-9cdd-5713612b7bcM/ypfp-a28.html</guid><dc:date>2026-04-28T04:14:26Z</dc:date></item><item><title>&lt;em&gt;Art and the Influence of Revolution&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/04/14/upau-a14.html</link><description>No serious understanding of 20th-century cultural life is possible without considering the impact of the socialist movement and its decades-long struggle to raise the thinking and activity of the working class, culminating in the 1917 Revolution.</description><pubDate>Tue, 14 Apr 2026 23:38:07 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/59dc69cb-6332-4bae-b56a-d9be62d3694N/upau-a14.html</guid><dc:date>2026-04-14T23:38:07Z</dc:date></item><item><title>Socialism in the “reactionary” Southwest: Lessons from James Green’s &lt;em&gt;Grass-Roots Socialism&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/03/21/rvkz-m21.html</link><description>Green's book shows that, beneath the familiar myth of the reactionary Southwest, there lay a vibrant world of tenant-farmer revolt, labor militancy, and interracial socialist organizing.</description><pubDate>Sat, 21 Mar 2026 01:23:15 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/d33cc154-e270-430a-a9b3-c8d8837c29eF/rvkz-m21.html</guid><dc:date>2026-03-21T01:23:15Z</dc:date></item><item><title>&lt;em&gt;Marty Supreme&lt;/em&gt;: A table tennis star’s frantic fight for fame</title><link>https://www.wsws.org/en/articles/2026/02/21/ssmh-f21.html</link><description>This movie uses the technique of “propulsive filmmaking,” while viewing the experience of Jews in America through the lens of identity politics.</description><pubDate>Sat, 21 Feb 2026 02:34:22 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/5c1a7f2c-b7d5-449a-9269-af1599fc151E/ssmh-f21.html</guid><dc:date>2026-02-21T02:34:22Z</dc:date></item><item><title>World Socialist Revolution is the answer to imperialist war and fascism</title><link>https://www.wsws.org/en/articles/2026/02/20/prxe-f20.html</link><description>David North delivered lectures online  at the invitation of Social Democracy clubs at Bilkent University and Middle East Technical University, both located in Ankara, Turkey. The lectures were delivered on February 17 and 19. </description><pubDate>Fri, 20 Feb 2026 03:18:59 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/908a4b03-1485-4bfc-a5d2-73bf3ad8f80D/prxe-f20.html</guid><dc:date>2026-02-20T03:18:59Z</dc:date></item><item><title>Trump falsifies the history of the Mexican-American War</title><link>https://www.wsws.org/en/articles/2026/02/06/rphi-f06.html</link><description>The Mexican-American War, fought to preserve slavery, helped bring on its destruction in the Civil War and imposed a border whose consequences still shape American politics.</description><pubDate>Fri, 06 Feb 2026 03:12:54 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/b62189d6-aeb6-490b-903e-0f890c05678L/rphi-f06.html</guid><dc:date>2026-02-06T03:12:54Z</dc:date></item><item><title>250 years since the publication of Tom Paine’s Common Sense</title><link>https://www.wsws.org/en/articles/2026/01/31/jqcy-j31.html</link><description>Paine’s revolutionary assault on monarchy and aristocracy cleared the way for American independence a quarter millenium ago—and speaks urgently to the present.</description><pubDate>Sat, 31 Jan 2026 03:59:20 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e97c6a5a-948d-459a-947b-f93feb9d299O/jqcy-j31.html</guid><dc:date>2026-01-31T03:59:20Z</dc:date></item><item><title>Revolutionary leadership and the Minneapolis general strike of 1934</title><link>https://www.wsws.org/en/articles/2026/01/15/vawg-j15.html</link><description>The events in Minneapolis in 1934 show what the working class can accomplish when it fights based on an independent class perspective.</description><pubDate>Thu, 15 Jan 2026 23:30:31 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/7b511189-b225-4b15-b6fa-1380b14a0daC/vawg-j15.html</guid><dc:date>2026-01-15T23:30:31Z</dc:date></item><item><title>From Roosevelt to Trump: The Monroe Doctrine and US imperialism’s predatory record in Venezuela</title><link>https://www.wsws.org/en/articles/2025/12/31/redf-d31.html</link><description>Washington’s aims encompass far more than Venezuela, amounting to a drive for the recolonization of Latin America and the subordination of the region to US profit interests and preparation for world war.</description><pubDate>Wed, 31 Dec 2025 03:09:59 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/0b2c8821-19c5-4edb-911c-b203b5d3206B/redf-d31.html</guid><dc:date>2025-12-31T03:09:59Z</dc:date></item><item><title>From Roosevelt to Trump: The Monroe Doctrine and US imperialism’s predatory record in Venezuela</title><link>https://www.wsws.org/en/articles/2025/12/30/ajye-d30.html</link><description>Washington’s aims encompass far more than Venezuela, amounting to a drive for the recolonization of Latin America and the subordination of the region to US profit interests and preparation for world war.</description><pubDate>Tue, 30 Dec 2025 00:37:21 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a40c51ef-2785-40ec-9ec9-d0084f12727A/ajye-d30.html</guid><dc:date>2025-12-30T00:37:21Z</dc:date></item><item><title>&lt;em&gt;Grant’s Enforcer: Taking Down the Klan&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/12/29/ohbk-d29.html</link><description>&lt;i&gt;Grant’s Enforcer&lt;/i&gt; is an important reminder that political reaction is not all-powerful.</description><pubDate>Mon, 29 Dec 2025 23:36:45 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/fc4012a1-42f2-4207-8cc2-8d19be7e2a9A/ohbk-d29.html</guid><dc:date>2025-12-29T23:36:45Z</dc:date></item><item><title>Richard Linklater’s &lt;em&gt;Blue Moon&lt;/em&gt;: Rodgers and Hart, without much music</title><link>https://www.wsws.org/en/articles/2025/12/27/dobg-d27.html</link><description>In this depiction of the end of Lorenz Hart’s career and his life, his legacy gets short-changed.</description><pubDate>Sat, 27 Dec 2025 02:24:38 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/294d6c60-8e59-4fa3-9722-efc7edddd3fI/dobg-d27.html</guid><dc:date>2025-12-27T02:24:38Z</dc:date></item><item><title>Former political prisoner Gary Tyler publishes &lt;i&gt;Stitching Freedom: A True Story of Injustice, Defiance, and Hope in Angola Prison&lt;/i&gt;</title><link>https://www.wsws.org/en/articles/2025/12/26/gwhh-d26.html</link><description>The autobiographical volume is both a history of a frame-up and a warning of contemporary significance.</description><pubDate>Fri, 26 Dec 2025 23:11:53 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/760f76b5-6487-4887-b0ab-3055448e4a8C/gwhh-d26.html</guid><dc:date>2025-12-26T23:11:53Z</dc:date></item><item><title>The centenary of Theodore Dreiser’s &lt;em&gt;An American Tragedy&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/12/19/prjf-d19.html</link><description>The most serious artists in the 1920s and early 1930s anticipated or often even assumed that society was proceeding to a new and higher stage.</description><pubDate>Fri, 19 Dec 2025 01:51:03 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/deceef90-fc15-4162-94cb-3256706e6d7G/prjf-d19.html</guid><dc:date>2025-12-19T01:51:03Z</dc:date></item><item><title>Luca Guadagnino’s &lt;em&gt;After the Hunt&lt;/em&gt;: Zero net displacement on a flat plane</title><link>https://www.wsws.org/en/articles/2025/12/15/iwqb-d15.html</link><description>It sets out the various sides in an episode where a sexual assault has been alleged with such even-handedness that drawing larger conclusions is challenging.</description><pubDate>Mon, 15 Dec 2025 03:30:55 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/7f791d90-2bfc-423b-bc73-794112f034fE/iwqb-d15.html</guid><dc:date>2025-12-15T03:30:55Z</dc:date></item><item><title>Painter Robert Rauschenberg (1925-2008) at New York’s Guggenheim Museum: “Life Can’t Be Stopped”</title><link>https://www.wsws.org/en/articles/2025/12/06/hsqq-d06.html</link><description>Rauschenberg belonged to a generation of artists that emerged between the twilight of Abstract Expressionism and the dawn of Pop Art.</description><pubDate>Sat, 06 Dec 2025 04:53:24 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/cd4a52e5-5cd9-426e-842d-7a9162131e6N/hsqq-d06.html</guid><dc:date>2025-12-06T04:53:24Z</dc:date></item><item><title>Ken Burns’ &lt;em&gt;The American Revolution&lt;/em&gt; </title><link>https://www.wsws.org/en/articles/2025/11/25/eikb-n25.html</link><description>Audiences cannot help but grasp the relevance of the film’s subject—a population revolting against tyranny and despotism in the name of equality and inalienable rights.</description><pubDate>Tue, 25 Nov 2025 03:31:19 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e8d2eb2d-7649-4adc-947f-f6df126b16dJ/eikb-n25.html</guid><dc:date>2025-11-25T03:31:19Z</dc:date></item><item><title>Charlie Chaplin’s &lt;em&gt;The Gold Rush&lt;/em&gt;: A century after its release</title><link>https://www.wsws.org/en/articles/2025/10/31/czvh-o31.html</link><description>In creating his Little Tramp character, Chaplin took a social type that was reviled by official bourgeois society—the vagrant, the unemployed man, the person without property—and turned him into arguably the most beloved character in the world.</description><pubDate>Fri, 31 Oct 2025 23:13:29 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8f093bb4-b258-4af1-b126-a593f4684e3A/czvh-o31.html</guid><dc:date>2025-10-31T23:13:29Z</dc:date></item><item><title>King Vidor’s World War I film &lt;em&gt;The Big Parade&lt;/em&gt; at 100</title><link>https://www.wsws.org/en/articles/2025/10/01/pjpm-o01.html</link><description>With its soldier's eye view, realistic depiction of battle and rejection of national chauvinism, the film departed significantly from previous treatments of the imperialist slaughter.</description><pubDate>Wed, 01 Oct 2025 01:46:24 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a6a7c111-c984-43da-a71d-bda643a99f9H/pjpm-o01.html</guid><dc:date>2025-10-01T01:46:24Z</dc:date></item><item><title>Trump administration celebrates the perpetrators of the Wounded Knee Massacre</title><link>https://www.wsws.org/en/articles/2025/09/30/kilt-s30.html</link><description>The decision by Secretary of Defense Pete Hegseth is a warning: The lessons of Wounded Knee are not consigned to the past, but must urgently be recalled as a present danger.</description><pubDate>Tue, 30 Sep 2025 02:00:19 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/26b8fccb-d590-43ad-82e7-3092a430e05F/kilt-s30.html</guid><dc:date>2025-09-30T02:00:19Z</dc:date></item><item><title>&lt;i&gt;Lincoln’s Peace: The Struggle to End the American Civil War&lt;/i&gt;, by Michael Vorenberg</title><link>https://www.wsws.org/en/articles/2025/09/25/bbsy-s25.html</link><description>To Vorenberg, the answer to the question of when the war ended, as a political matter, appears to lie in the passage of the Reconstruction Act in March 1867, which specified that states would remain under military rule unless and until they ratified the 14th Amendment, provided freed Black males the right to vote, and barred insurrectionists from obtaining public office.</description><pubDate>Thu, 25 Sep 2025 22:16:01 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/d6fdc8ec-4649-48f8-b179-c6d09a79084O/bbsy-s25.html</guid><dc:date>2025-09-25T22:16:01Z</dc:date></item><item><title>American actor Robert Redford (1936-2025)</title><link>https://www.wsws.org/en/articles/2025/09/24/dwhp-s24.html</link><description>His popularity was not a fluke. Redford brought charm, calm intelligence and sophistication to his best work. His was an appealing personality and presence, not simply based on his handsome face. </description><pubDate>Wed, 24 Sep 2025 03:05:19 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/d4b98227-0c7c-4a5a-9789-963545ca20aI/dwhp-s24.html</guid><dc:date>2025-09-24T03:05:19Z</dc:date></item><item><title>Historic images of slavery removed by national parks after Trump directive</title><link>https://www.wsws.org/en/articles/2025/09/19/oogx-s19.html</link><description>The removal of powerful Civil War era photography from public museums is the latest in a series of attacks on historical truth orchestrated by the White House.</description><pubDate>Fri, 19 Sep 2025 21:55:39 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1172a026-8657-428d-adbf-5c4005fcc1cJ/oogx-s19.html</guid><dc:date>2025-09-19T21:55:39Z</dc:date></item><item><title>Trump’s war on culture: The authoritarian logic of “Making Federal Architecture Beautiful Again”</title><link>https://www.wsws.org/en/articles/2025/09/16/fmee-s16.html</link><description>Trump’s Executive Order imposes authoritarian aesthetics for buildings, codifies kitsch and signals a broader assault on cultural freedom.</description><pubDate>Tue, 16 Sep 2025 00:22:16 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1a6822f7-1b73-4219-8e65-e841c551416A/fmee-s16.html</guid><dc:date>2025-09-16T00:22:16Z</dc:date></item><item><title>Trump issues threats against Smithsonian exhibitions and art works</title><link>https://www.wsws.org/en/articles/2025/09/08/hisy-s08.html</link><description>President Trump has launched an aggressive campaign against the Smithsonian Institute, accusing the museum of promoting “anti-American ideology.”</description><pubDate>Mon, 08 Sep 2025 00:41:43 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/f1bddbcd-8bc9-4ff0-b49f-92a287dc96aP/hisy-s08.html</guid><dc:date>2025-09-08T00:41:43Z</dc:date></item><item><title>100 years of F. Scott Fitzgerald’s &lt;em&gt;The Great Gatsby&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/08/29/avfm-a29.html</link><description>Fitzgerald’s &lt;em&gt;The Great Gatsby&lt;/em&gt; was published 100 years ago. What accounts for its continuing popularity and resonance?</description><pubDate>Fri, 29 Aug 2025 23:58:37 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9dc5e0de-a371-48de-9587-96815f07abbH/avfm-a29.html</guid><dc:date>2025-08-29T23:58:37Z</dc:date></item><item><title>The 1619 Project revisited: A retrospective evaluation in light of Trump’s assault on democracy</title><link>https://www.wsws.org/en/articles/2025/08/28/vcge-a28.html</link><description>It is now clear that the main consequence of the 1619 Project’s attack on the American Revolution and Civil War was to disarm the population in the face of the fascist threat.</description><pubDate>Thu, 28 Aug 2025 03:35:01 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/2565aa19-baaf-4cfa-baaf-a6c861b7ca5B/vcge-a28.html</guid><dc:date>2025-08-28T03:35:01Z</dc:date></item><item><title>A further comment on Brian Wilson’s life and music</title><link>https://www.wsws.org/en/articles/2025/07/07/dwkm-j07.html</link><description>The cultural consciousness of posterity is enriched by Wilson’s 1962–1967 output. His greatest accomplishments during that period remain relevant, genuine, substantial, and intensely moving.</description><pubDate>Mon, 07 Jul 2025 23:18:56 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9225a139-a013-49f4-a170-6b7c3acfbf9N/dwkm-j07.html</guid><dc:date>2025-07-07T23:18:56Z</dc:date></item><item><title>Brian Wilson (1942-2025) expressed both joy and tragedy through his harmonies</title><link>https://www.wsws.org/en/articles/2025/06/23/xbab-j23.html</link><description>Brian Wilson and the band he founded, the Beach Boys, made an indelible mark on American popular music.</description><pubDate>Mon, 23 Jun 2025 02:42:32 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/f5c54054-c299-4165-804c-9c4f65dc051F/xbab-j23.html</guid><dc:date>2025-06-23T02:42:32Z</dc:date></item><item><title>John Singer Sargent at New York’s Metropolitan Museum of Art: &lt;em&gt;Sargent and Paris&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/06/21/ysqp-j21.html</link><description>The exhibition examines a crucial decade in the career of this portraitist of the bourgeoisie, who combined artistic daring with a quasi-aristocratic and conventional outlook.</description><pubDate>Sat, 21 Jun 2025 01:12:44 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8bcfb16b-59e8-4230-8ade-dde4b3ab704P/ysqp-j21.html</guid><dc:date>2025-06-21T01:12:44Z</dc:date></item><item><title>&lt;em&gt;Seven Days in May&lt;/em&gt; (1964): When American filmmaking envisioned a military coup</title><link>https://www.wsws.org/en/articles/2025/06/11/fzzj-j11.html</link><description>The headline of Monday's perspective referred to the well-known 1964 film &lt;em&gt;Seven Days in May&lt;/em&gt;, which imagined a conspiracy by “a military-political cabal to take over the government of the United States.”</description><pubDate>Wed, 11 Jun 2025 02:13:31 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ea32b1db-c20e-4709-abfb-2bca2d913dfP/fzzj-j11.html</guid><dc:date>2025-06-11T02:13:31Z</dc:date></item><item><title>Detroit Opera production of &lt;em&gt;The Central Park Five&lt;/em&gt; takes aim at Trump</title><link>https://www.wsws.org/en/articles/2025/05/30/lead-m30.html</link><description>Davis’s music, an eclectic blend of jazz, blues, classical and hip hop, serves as a background to the story, reinforcing moods of anguish and tension as the young men and their families go through their ordeal.</description><pubDate>Fri, 30 May 2025 01:33:45 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/66eaf3de-3dc5-4975-ade5-dd86cefbeabL/lead-m30.html</guid><dc:date>2025-05-30T01:33:45Z</dc:date></item><item><title>The Virginia Opera’s &lt;em&gt;Loving v. Virginia&lt;/em&gt; revisits critical civil rights battle of the 1960s</title><link>https://www.wsws.org/en/articles/2025/05/27/nsqq-m27.html</link><description>The opera centers on the struggle to end laws against interracial marriage in Virginia and speaks powerfully as well to democratic issues today.</description><pubDate>Tue, 27 May 2025 23:48:35 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/60048abd-d308-46a7-97a4-42587828d5aN/nsqq-m27.html</guid><dc:date>2025-05-27T23:48:35Z</dc:date></item><item><title>Revolutionary struggle and the unity of the international working class</title><link>https://www.wsws.org/en/articles/2025/05/07/snrq-m07.html</link><description>This speech was given by Will Lehman, an autoworker at Mack Trucks in Macungie, Pennsylvania and member of the International Workers Alliance of Rank-and-File Committees, at the International May Day 2025 Online Rally, held Saturday, May 3.</description><pubDate>Wed, 07 May 2025 02:21:24 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/90377fb7-92ac-4edc-ac08-dfaba9c3abeK/snrq-m07.html</guid><dc:date>2025-05-07T02:21:24Z</dc:date></item><item><title>Trump’s dictatorship, global war, and the fight for socialism</title><link>https://www.wsws.org/en/articles/2025/05/06/xbku-m06.html</link><description>The WSWS is posting here both the video and text of the speech by Socialist Equality Party (US) National Secretary Joseph Kishore to the International May Day 2025 Online Rally.</description><pubDate>Tue, 06 May 2025 01:45:28 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/2c1a3d69-d205-4d98-a28c-aec2a8c2f3bO/xbku-m06.html</guid><dc:date>2025-05-06T01:45:28Z</dc:date></item><item><title>Cultural counterrevolution: Funds cut from humanities grants to go toward Trump’s fascistic “National Garden of American Heroes”</title><link>https://www.wsws.org/en/articles/2025/04/12/nywp-a12.html</link><description>Trump first broached the issue of a patriotic sculpture garden in July 2020, using the attacks on various monuments by participants in demonstrations against police violence as his pretext.</description><pubDate>Sat, 12 Apr 2025 02:47:44 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/6eadc42c-96db-45bc-8bae-63367c392f1L/nywp-a12.html</guid><dc:date>2025-04-12T02:47:44Z</dc:date></item><item><title>100 years since the birth of Viola Liuzzo (1925-1965), martyr of the civil rights movement</title><link>https://www.wsws.org/en/articles/2025/04/11/qgag-a11.html</link><description>We are reposting an article from April 10, 2015, on 50 years since Viola Liuzzo’s death, written by Helen Halyard. </description><pubDate>Fri, 11 Apr 2025 21:15:09 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/24c0583e-3fb2-436a-ba41-3f694f11fceL/qgag-a11.html</guid><dc:date>2025-04-11T21:15:09Z</dc:date></item><item><title>American filmmaker David Lynch (1946-2025)</title><link>https://www.wsws.org/en/articles/2025/03/24/igks-m24.html</link><description>Lynch attracted so much attention and interest in part because he stood out as an expressive, undoubtedly unusual figure in the generally bleak cultural landscape of the Reagan-Bush-Clinton years.</description><pubDate>Mon, 24 Mar 2025 02:48:35 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/efea8fda-1909-4be6-9b68-955245ee5bcA/igks-m24.html</guid><dc:date>2025-03-24T02:48:35Z</dc:date></item><item><title>Trump executive order revives discredited 1776 Commission, mandating the falsification of American history in K-12 schools </title><link>https://www.wsws.org/en/articles/2025/03/22/bvgl-m22.html</link><description>In falsifying history, the oligarchs in charge are attempting to erase any critical thoughts youth may have about American policy in the present, especially the massive growth in economic inequality, the ongoing genocide in Gaza and the ever-present threat of war against China, Iran and Russia.</description><pubDate>Sat, 22 Mar 2025 00:01:15 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9f67b674-3ba7-46ed-8ade-86ed2cd1d68J/bvgl-m22.html</guid><dc:date>2025-03-22T00:01:15Z</dc:date></item><item><title>Donald Trump “celebrates” Black History Month with the black elite</title><link>https://www.wsws.org/en/articles/2025/03/03/urdh-m03.html</link><description>Those in attendance agree that black history is really all about personal aggrandizement, not common sacrifice and struggle.</description><pubDate>Mon, 03 Mar 2025 01:49:26 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/607983b6-851b-4b1e-acf1-cbc43634edfO/urdh-m03.html</guid><dc:date>2025-03-03T01:49:26Z</dc:date></item><item><title>The political issues behind the Trump administration’s attack on DEI</title><link>https://www.wsws.org/en/articles/2025/03/03/ytyb-m03.html</link><description>The White House is using widespread animosity toward DEI to arrogate new powers to the executive branch and dismantle democratic rights.</description><pubDate>Mon, 03 Mar 2025 01:47:15 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/2983c353-ff76-4f28-91b4-383ce57f3b7B/ytyb-m03.html</guid><dc:date>2025-03-03T01:47:15Z</dc:date></item><item><title>&lt;em&gt;The Brutalist&lt;/em&gt;: A Holocaust survivor reclaims his life</title><link>https://www.wsws.org/en/articles/2025/03/01/eeoe-m01.html</link><description>There are striking images and certain convincing performances, but on the whole the filmmakers seem very much out of their depth. The work is starved of genuine historical and social insight.</description><pubDate>Sat, 01 Mar 2025 04:56:52 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1c8becd0-0902-41cb-89b0-8d77b89df7aH/eeoe-m01.html</guid><dc:date>2025-03-01T04:56:52Z</dc:date></item><item><title>&lt;em&gt;Nickel Boys&lt;/em&gt; ignores history in favor of psychology</title><link>https://www.wsws.org/en/articles/2025/02/25/plzl-f25.html</link><description>By taking a subjective, “lyrical” approach, director RaMell Ross has turned a novel about racism into a narrower, murkier movie.</description><pubDate>Tue, 25 Feb 2025 00:36:40 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/47c9cbcd-7f76-41d6-9ff4-584c59287f5P/plzl-f25.html</guid><dc:date>2025-02-25T00:36:40Z</dc:date></item><item><title>An interview with Elijah Wald, author of &lt;em&gt;Dylan Goes Electric!&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/02/13/ojlf-f13.html</link><description>Wald's &lt;em&gt;Dylan Goes Electric&lt;/em&gt; is the work on which the recent film about Bob Dylan’s early days in music, &lt;em&gt;A Complete Unknown&lt;/em&gt; (James Mangold), is loosely based.</description><pubDate>Thu, 13 Feb 2025 03:53:55 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/79d3a054-7400-4956-a968-1287630fa9eO/ojlf-f13.html</guid><dc:date>2025-02-13T03:53:55Z</dc:date></item></channel></rss>