<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Film Reviews</title><link>https://www.wsws.org/en/topics/artsCategory/films</link><description /><item><title>&lt;em&gt;Enough is Enough&lt;/em&gt;: Catastrophe in the Democratic Republic of the Congo</title><link>https://www.wsws.org/en/articles/2026/05/27/rolr-m27.html</link><description>The scramble for these resources has resulted in the decades of civil war, with various groups and armed bands seeking to gain control of territory.</description><pubDate>Wed, 27 May 2026 04:28:08 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/40f6f0bd-4cf2-4ad0-a664-df872b34df1B/rolr-m27.html</guid><dc:date>2026-05-27T04:28:08Z</dc:date></item><item><title>&lt;em&gt;First They Came for My College&lt;/em&gt;:  Right-wing “human dust” mount takeover of New College of Florida</title><link>https://www.wsws.org/en/articles/2026/05/21/rvre-m21.html</link><description>Bresnan’s film sets out the sordid details of this far-right maneuver in all its repulsive transparency.</description><pubDate>Thu, 21 May 2026 03:56:18 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ff2f2493-a6f7-4ed6-a9d3-ceb159579dcH/rvre-m21.html</guid><dc:date>2026-05-21T03:56:18Z</dc:date></item><item><title>90 years of Charlie Chaplin’s &lt;em&gt;Modern Times&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/05/13/btew-m13.html</link><description>Released under tumultuous social, political and economic circumstances, Chaplin’s movie retains the artistic, cultural, political and social significance it had in 1936.</description><pubDate>Wed, 13 May 2026 01:39:43 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ec7a9351-ded1-413b-b834-0d92d1ad38aC/btew-m13.html</guid><dc:date>2026-05-13T01:39:43Z</dc:date></item><item><title>&lt;em&gt;Chavín de Huántar: The Rescue of the Century&lt;/em&gt;: A film of reactionary propaganda for Peru’s military&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/05/08/jmrp-m08.html</link><description>The social and political issues are deliberately ignored in order to present the rescue operation as a binary struggle between the “heroic” army and a guerrilla force that is the enemy of the entire nation.</description><pubDate>Fri, 08 May 2026 00:10:03 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/db845ad5-861d-4b23-9926-2e01aad43aeO/jmrp-m08.html</guid><dc:date>2026-05-08T00:10:03Z</dc:date></item><item><title>&lt;em&gt;Two Prosecutors&lt;/em&gt;: A stubborn young lawyer confronts the criminal methods of the Stalinist bureaucracy</title><link>https://www.wsws.org/en/articles/2026/05/04/cflt-m04.html</link><description>Many thousands of devoted revolutionaries, including most of the leaders of the October 1917 Revolution, were put to death between 1936 and 1938 by the counterrevolutionary bureaucracy.</description><pubDate>Mon, 04 May 2026 02:05:19 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a27478f0-5a7a-4263-8141-876d98e4b92L/cflt-m04.html</guid><dc:date>2026-05-04T02:05:19Z</dc:date></item><item><title>&lt;em&gt;Inside Amir&lt;/em&gt;: Tehran, before US and Israeli bombs rained down...</title><link>https://www.wsws.org/en/articles/2026/05/02/dfoc-m02.html</link><description>One can’t help but wondering after two months of war and countless waves of bombing, and thousands of civilian deaths: Does that neighborhood still look like this? </description><pubDate>Sat, 02 May 2026 03:22:12 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9813f2c2-3900-43da-9ada-ba765ca6fd8E/dfoc-m02.html</guid><dc:date>2026-05-02T03:22:12Z</dc:date></item><item><title>&lt;em&gt;Ricky&lt;/em&gt; and &lt;em&gt;Mad Bills to Pay (or Destiny, dile que no soy malo)&lt;/em&gt;: “Society is also something real...”</title><link>https://www.wsws.org/en/articles/2026/04/23/vqqo-a23.html</link><description>The two films present some of the same problems, some of the same problems that a good number of American (and not simply American) “small,” “realist” dramas exhibit.</description><pubDate>Thu, 23 Apr 2026 00:04:07 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/32a19be2-9aad-4b54-be67-94f536b55bcO/vqqo-a23.html</guid><dc:date>2026-04-23T00:04:07Z</dc:date></item><item><title>The consequences of extreme exploitation – &lt;em&gt;Enjoy Your Stay&lt;/em&gt; and &lt;em&gt;I Understand Your Displeasure&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/04/13/jnpj-a13.html</link><description>Both films underscore a central truth: under capitalism, personal decisions can be so severely restricted that they become almost irrelevant.</description><pubDate>Mon, 13 Apr 2026 00:57:31 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/05daf152-e1b0-4831-af45-d2563c49b23G/jnpj-a13.html</guid><dc:date>2026-04-13T00:57:31Z</dc:date></item><item><title>Gore Verbinski’s &lt;em&gt;Good Luck, Have Fun, Don’t Die&lt;/em&gt;–The solution to the world’s problems? Infect everyone with anti-technology allergy</title><link>https://www.wsws.org/en/articles/2026/04/11/mmkx-a11.html</link><description>It is a dreadful work. A libel against humanity, humanity returned the favor by largely staying away in droves.</description><pubDate>Sat, 11 Apr 2026 02:43:23 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3fd1cbba-a546-4e0c-b72d-42febfc9578E/mmkx-a11.html</guid><dc:date>2026-04-11T02:43:23Z</dc:date></item><item><title>&lt;em&gt;Project Hail Mary&lt;/em&gt;—a hopeful (but somewhat wishful) adventure</title><link>https://www.wsws.org/en/articles/2026/04/09/smnh-a09.html</link><description>The overall result is a charming but cartoonish pastiche that, while broadly appealing, falls short of its ambition to be a truly insightful film</description><pubDate>Thu, 09 Apr 2026 02:14:42 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/2087b528-57d3-4f3e-9bed-16cf286e48cH/smnh-a09.html</guid><dc:date>2026-04-09T02:14:42Z</dc:date></item><item><title>&lt;em&gt;Scenario&lt;/em&gt; (&lt;em&gt;Szenario&lt;/em&gt;): A documentary normalises German militarism</title><link>https://www.wsws.org/en/articles/2026/04/08/jiac-a08.html</link><description>The director says she had “real images of war in her mind” while filming and wonders about “what context I see them”—but “context” is precisely what is missing from her film.</description><pubDate>Wed, 08 Apr 2026 01:20:44 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8c464094-9d40-4099-b62e-18a650e94c9F/jiac-a08.html</guid><dc:date>2026-04-08T01:20:44Z</dc:date></item><item><title>Berlinale Retrospective: A look back at the fall of the Berlin Wall—“Lost in the 90s”</title><link>https://www.wsws.org/en/articles/2026/04/04/bjrd-a04.html</link><description>The burning problems of the present day, genocidal wars, dictatorship and increasing social decline, bring to mind the claims made in the period immediately following the end of the Cold War.</description><pubDate>Sat, 04 Apr 2026 01:12:16 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/f1ceaaef-8fa2-47b3-ba78-721657bed21K/bjrd-a04.html</guid><dc:date>2026-04-04T01:12:16Z</dc:date></item><item><title>Emerald Fennell’s &lt;em&gt;Wuthering Heights&lt;/em&gt;: Is this all that we can expect?</title><link>https://www.wsws.org/en/articles/2026/04/01/foxj-a01.html</link><description>The force, the genius, of Emily Brontë’s novel is totally absent, wholly unexplored in this adaptation.</description><pubDate>Wed, 01 Apr 2026 17:07:02 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/625f7a8b-d514-4b00-831c-9ee47f2a970D/foxj-a01.html</guid><dc:date>2026-04-01T17:07:02Z</dc:date></item><item><title>More Berlinale short films: &lt;em&gt;Cosmonauts&lt;/em&gt;, &lt;em&gt;With a Kind Regard&lt;/em&gt;, &lt;em&gt;Graft Versus Host&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/03/25/zpcy-m25.html</link><description>In the face of official prejudice and indifference, filmmakers fight for solidarity and compassion in a series of short films at the Berlin film festival.</description><pubDate>Wed, 25 Mar 2026 23:24:14 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1f0bc99d-81f4-4a91-a12c-153e1dcd449G/zpcy-m25.html</guid><dc:date>2026-03-25T23:24:14Z</dc:date></item><item><title>Berlinale short films: A search for social cohesion and direction in a world full of war and disasters</title><link>https://www.wsws.org/en/articles/2026/03/21/ynqe-m21.html</link><description>The selection, which also included animations, offered some whimsical pieces, many focused on individual emotions, as well as thoughtful explorations of social and historical issues.</description><pubDate>Sat, 21 Mar 2026 02:28:12 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/595c4edc-a6a8-4467-ad80-7fb642ffd59K/ynqe-m21.html</guid><dc:date>2026-03-21T02:28:12Z</dc:date></item><item><title>Gus Van Sant’s &lt;em&gt;Dead Man’s Wire&lt;/em&gt;: Rage at a rigged system</title><link>https://www.wsws.org/en/articles/2026/03/19/wsla-m19.html</link><description>Van Sant has said the story interested him because it echoes today’s anger at corporate greed and financial institutions.</description><pubDate>Thu, 19 Mar 2026 02:55:05 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4df45e52-2c83-49f5-b9c3-02a36c493daD/wsla-m19.html</guid><dc:date>2026-03-19T02:55:05Z</dc:date></item><item><title>&lt;em&gt;The Secret Agent&lt;/em&gt;—the dictatorship as an “open wound in Brazilian life”</title><link>https://www.wsws.org/en/articles/2026/03/16/tqye-m16.html</link><description>The portrait of a ruling class marked by an absolute contempt for collective interests, culture, and human life is the strongest and most universal aspect of Mendonça’s film.</description><pubDate>Mon, 16 Mar 2026 22:35:36 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e00591da-dc56-4063-aad9-56e840adb6dA/tqye-m16.html</guid><dc:date>2026-03-16T22:35:36Z</dc:date></item><item><title>Blind in the right eye – &lt;em&gt;Prosecution&lt;/em&gt; – and a documentary about German dramatist Einar Schleef</title><link>https://www.wsws.org/en/articles/2026/03/11/xmrj-m11.html</link><description>In an interview, the film’s young director correctly noted: “We can’t really understand the German judicial system without taking its Nazi past into account.&quot;</description><pubDate>Wed, 11 Mar 2026 00:57:56 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a5743643-1f53-4819-b8cd-0a41c8e8ae5J/xmrj-m11.html</guid><dc:date>2026-03-11T00:57:56Z</dc:date></item><item><title>A warning against dictatorship: Berlinale’s main prize winner &lt;em&gt;Yellow Letters&lt;/em&gt;—and more government censorship at the festival</title><link>https://www.wsws.org/en/articles/2026/03/07/ejjy-m07.html</link><description>The German-Turkish-French co-production &lt;em&gt;Yellow Letters&lt;/em&gt; by Ilker Çatak is a powerful warning against the threat of censorship and state oppression, including in Germany and other countries.</description><pubDate>Sat, 07 Mar 2026 03:00:17 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/66c2f75c-9017-4713-8c75-d9f3d09cd82P/ejjy-m07.html</guid><dc:date>2026-03-07T03:00:17Z</dc:date></item><item><title>German government declares “no politics” at the Berlinale ... unless it’s the politics of the government</title><link>https://www.wsws.org/en/articles/2026/03/04/mgxl-m04.html</link><description>The films reviewed here are collaborations between Israeli and Arab filmmakers and actors seeking to come to grips with the catastrophic consequences of Israel’s oppression of the Palestinian people.</description><pubDate>Wed, 04 Mar 2026 03:38:49 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/dcdaeb6f-35d1-4019-a509-ffb410b427cN/mgxl-m04.html</guid><dc:date>2026-03-04T03:38:49Z</dc:date></item><item><title>Increasing social criticism in Berlin and a new, committed tone of film realism: &lt;em&gt;The Red Hangar&lt;/em&gt; from Chile</title><link>https://www.wsws.org/en/articles/2026/03/01/hnmg-m01.html</link><description>A growing number of younger filmmakers are turning their attention to history and the current threats to human relationships posed by war, state repression, fascist violence and extreme exploitation.</description><pubDate>Sun, 01 Mar 2026 23:35:02 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/fe2f17c3-2ee0-40b6-b885-18a4f22e4adB/hnmg-m01.html</guid><dc:date>2026-03-01T23:35:02Z</dc:date></item><item><title>&lt;em&gt;Hamnet&lt;/em&gt;, &lt;em&gt;Hamlet&lt;/em&gt; and the demanding effort “to show the very age and body of the time”</title><link>https://www.wsws.org/en/articles/2026/02/28/zhiu-f28.html</link><description>The film is built around the family life of playwright William Shakespeare and Anne Hathaway in Stratford-upon-Avon in the 1590s and the death of their 11-year-old son.</description><pubDate>Sat, 28 Feb 2026 04:37:03 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4b92ee32-7749-486b-bb5b-a9ec3b96737L/zhiu-f28.html</guid><dc:date>2026-02-28T04:37:03Z</dc:date></item><item><title>&lt;em&gt;Marty Supreme&lt;/em&gt;: A table tennis star’s frantic fight for fame</title><link>https://www.wsws.org/en/articles/2026/02/21/ssmh-f21.html</link><description>This movie uses the technique of “propulsive filmmaking,” while viewing the experience of Jews in America through the lens of identity politics.</description><pubDate>Sat, 21 Feb 2026 02:34:22 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/5c1a7f2c-b7d5-449a-9269-af1599fc151E/ssmh-f21.html</guid><dc:date>2026-02-21T02:34:22Z</dc:date></item><item><title>&lt;em&gt;Sentimental Value&lt;/em&gt;: We will have to take their word for it</title><link>https://www.wsws.org/en/articles/2026/02/18/xhgs-f18.html</link><description>The movie has been nominated for nine Academy Awards, including Best Picture and Best International Feature Film.</description><pubDate>Wed, 18 Feb 2026 03:52:44 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/086386ad-27dc-4095-bcc1-7941be7b18fA/xhgs-f18.html</guid><dc:date>2026-02-18T03:52:44Z</dc:date></item><item><title>&lt;em&gt;The Voice of Hind Rajab&lt;/em&gt;: A harrowing account of the killing of a Palestinian child</title><link>https://www.wsws.org/en/articles/2026/02/17/vfro-f17.html</link><description>The film dramatizes the scene in the Red Crescent office, but uses the actual audio recording of Hind’s phone call—hence its title.</description><pubDate>Tue, 17 Feb 2026 03:13:37 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/b23f0d18-6bff-4455-95d6-c5b8abe28ecA/vfro-f17.html</guid><dc:date>2026-02-17T03:13:37Z</dc:date></item><item><title>&lt;em&gt;No Other Choice&lt;/em&gt; from South Korea: Doesn’t “necessity knows no law” cut both ways?</title><link>https://www.wsws.org/en/articles/2026/02/06/zohx-f06.html</link><description>The film is inspired by Donald Westlake’s 1997 novel &lt;em&gt;The Ax&lt;/em&gt;, previously adapted as a film by Greek-French film director Costa-Gavras in 2005.</description><pubDate>Fri, 06 Feb 2026 04:06:38 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/6ee3062a-df92-4ca9-87da-b37ccc9d926C/zohx-f06.html</guid><dc:date>2026-02-06T04:06:38Z</dc:date></item><item><title>Noah Baumbach’s &lt;em&gt;Jay Kelly&lt;/em&gt;: A veteran film star undergoes a crisis</title><link>https://www.wsws.org/en/articles/2026/01/19/cpjm-j19.html</link><description>Baumbach satirizes the failings of the contemporary movie industry and mocks the self-involvement of prominent performers.</description><pubDate>Mon, 19 Jan 2026 04:36:55 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8740074d-ac7f-4c27-a2d8-17b377ebddbH/cpjm-j19.html</guid><dc:date>2026-01-19T04:36:55Z</dc:date></item><item><title>&lt;em&gt;Put Your Soul on Your Hand and Walk&lt;/em&gt;: Portrait of a young Palestinian artist targeted for death by the IDF</title><link>https://www.wsws.org/en/articles/2026/01/13/pqde-j13.html</link><description>Gaza journalists, like Fatima, face extreme, often fatal, risks under blockade and during assaults, including murder, injury, harassment and starvation while trying to report.</description><pubDate>Tue, 13 Jan 2026 01:27:23 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/023020bc-d72f-4160-9ae0-d57804b0428O/pqde-j13.html</guid><dc:date>2026-01-13T01:27:23Z</dc:date></item><item><title>Sarah Friedland’s &lt;em&gt;Familiar Touch&lt;/em&gt;: A character study of a woman with dementia</title><link>https://www.wsws.org/en/articles/2026/01/12/umyz-j12.html</link><description>Kathleen Chalfant stands out, as she must, considering the theme of the movie. Now 81 years old, she is known for decades of work in film, television and especially theater.</description><pubDate>Mon, 12 Jan 2026 01:29:54 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/34c17f41-94b4-402f-b342-a9b5e5ddbfdG/umyz-j12.html</guid><dc:date>2026-01-12T01:29:54Z</dc:date></item><item><title>Kelly Reichardt’s &lt;em&gt;The Mastermind&lt;/em&gt;: “Honestly, I don’t think you’ve thought things through enough”</title><link>https://www.wsws.org/en/articles/2026/01/06/qdch-j06.html</link><description>It impresses the viewer primarily as a criticism of the self-involvement and self-delusion of a certain masculine type.</description><pubDate>Tue, 06 Jan 2026 05:26:46 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a9bdd552-af6c-43e5-afb5-f6527360a46N/qdch-j06.html</guid><dc:date>2026-01-06T05:26:46Z</dc:date></item><item><title>Film, television and trends and events in art and culture in 2025</title><link>https://www.wsws.org/en/articles/2025/12/31/ageq-d31.html</link><description>It was inevitable that new tensions should find expression in artists’ work and erupt as well as within existing industries and institutions</description><pubDate>Wed, 31 Dec 2025 05:29:17 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4a0bf1e8-fc6c-42a7-bd10-bdd3e5ded80I/ageq-d31.html</guid><dc:date>2025-12-31T05:29:17Z</dc:date></item><item><title>Richard Linklater’s &lt;em&gt;Blue Moon&lt;/em&gt;: Rodgers and Hart, without much music</title><link>https://www.wsws.org/en/articles/2025/12/27/dobg-d27.html</link><description>In this depiction of the end of Lorenz Hart’s career and his life, his legacy gets short-changed.</description><pubDate>Sat, 27 Dec 2025 02:24:38 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/294d6c60-8e59-4fa3-9722-efc7edddd3fI/dobg-d27.html</guid><dc:date>2025-12-27T02:24:38Z</dc:date></item><item><title>&lt;em&gt;Russians at War&lt;/em&gt;: An honest portrayal of the people inside Russia’s military</title><link>https://www.wsws.org/en/articles/2025/12/17/yrmd-d17.html</link><description>Trofimova’s documentary rejects the bogus narrative peddled by US imperialism and its Canadian and European allies about “Putin’s unprovoked war,” and gives voice to the ordinary Russian soldiers the Western media has systematically dehumanized.</description><pubDate>Wed, 17 Dec 2025 04:37:05 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/657ff3c7-b5f7-4f3e-a9a4-8f4b82f9b82P/yrmd-d17.html</guid><dc:date>2025-12-17T04:37:05Z</dc:date></item><item><title>Luca Guadagnino’s &lt;em&gt;After the Hunt&lt;/em&gt;: Zero net displacement on a flat plane</title><link>https://www.wsws.org/en/articles/2025/12/15/iwqb-d15.html</link><description>It sets out the various sides in an episode where a sexual assault has been alleged with such even-handedness that drawing larger conclusions is challenging.</description><pubDate>Mon, 15 Dec 2025 03:30:55 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/7f791d90-2bfc-423b-bc73-794112f034fE/iwqb-d15.html</guid><dc:date>2025-12-15T03:30:55Z</dc:date></item><item><title>Guillermo del Toro’s &lt;em&gt;Frankenstein&lt;/em&gt;: The latest film interpretation of Mary Shelley’s novel</title><link>https://www.wsws.org/en/articles/2025/12/11/tfzp-d11.html</link><description>Del Toro’s &lt;em&gt;Frankenstein&lt;/em&gt; is a visually imaginative work to some extent with a number of urgent and disturbing sequences and an overall gravitas.</description><pubDate>Thu, 11 Dec 2025 03:12:25 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/5e429b43-06a3-4250-aec1-700793df49eM/tfzp-d11.html</guid><dc:date>2025-12-11T03:12:25Z</dc:date></item><item><title>&lt;em&gt;Nuremberg&lt;/em&gt;: Where does fascist barbarism come from?</title><link>https://www.wsws.org/en/articles/2025/12/01/frjw-d01.html</link><description>The film gives a largely accurate account of the Nuremberg Trials of 1945-46, but it seeks the cause of the Nazis’ crimes in their individual psychology.</description><pubDate>Mon, 01 Dec 2025 03:05:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/55227b8e-f73d-455d-85cd-2d4a36eddacL/frjw-d01.html</guid><dc:date>2025-12-01T03:05:00Z</dc:date></item><item><title>American authoritarianism in &lt;em&gt;Anniversary&lt;/em&gt;: It &lt;em&gt;does&lt;/em&gt; happen here</title><link>https://www.wsws.org/en/articles/2025/11/27/qjim-n27.html</link><description>The film is among a number of recent works that address—or attempt to address—the burning question of mass state repression and fascism.</description><pubDate>Thu, 27 Nov 2025 04:18:09 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/eec387b7-8079-42c6-9d9a-d67cf262f9bI/qjim-n27.html</guid><dc:date>2025-11-27T04:18:09Z</dc:date></item><item><title>&lt;em&gt;Bugonia&lt;/em&gt;: The latest film from Yorgos Lanthimos—“All that’s been done to us … We’re setting that right again”</title><link>https://www.wsws.org/en/articles/2025/11/20/uwuo-n20.html</link><description>Two cousins, in an act of revenge, kidnap a successful, powerful corporate executive and hold her captive in their basement.</description><pubDate>Thu, 20 Nov 2025 02:46:31 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/843bfe4d-b874-45c1-a86e-61f1ec03276H/uwuo-n20.html</guid><dc:date>2025-11-20T02:46:31Z</dc:date></item><item><title>&lt;em&gt;Palestine 36&lt;/em&gt;: Britain’s brutal suppression of the Palestinians during the 1936-39 Arab Revolt</title><link>https://www.wsws.org/en/articles/2025/11/18/gmmy-n18.html</link><description>The mass Palestinian uprising, its defeat and the expulsion and imprisonment of its leaders at the hands of the British army is largely unknown outside the Middle East, particularly in Britain itself.</description><pubDate>Tue, 18 Nov 2025 20:09:51 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/da6ac513-498b-455c-a739-a9486b62779N/gmmy-n18.html</guid><dc:date>2025-11-18T20:09:51Z</dc:date></item><item><title>&lt;em&gt;The Disappearance of Josef Mengele&lt;/em&gt;: An outstanding film about the Nazi war criminal in exile</title><link>https://www.wsws.org/en/articles/2025/11/12/meng-n12.html</link><description>The film by Russian director Kirill Serebrennikov, currently showing in German cinemas, is an outstanding work that nevertheless leaves viewers with a feeling of perplexity.</description><pubDate>Wed, 12 Nov 2025 07:06:28 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9f9caffe-dd10-4a57-b4eb-15b81571191M/meng-n12.html</guid><dc:date>2025-11-12T07:06:28Z</dc:date></item><item><title>&lt;em&gt;A House of Dynamite&lt;/em&gt;: Kathryn Bigelow’s film about the danger of nuclear war</title><link>https://www.wsws.org/en/articles/2025/11/07/cjuj-n07.html</link><description>If one is prepared to suspend one’s disbelief to an extent, &lt;em&gt;A House of Dynamite&lt;/em&gt; has genuine value in evoking the horrifying threat of nuclear warfare.</description><pubDate>Fri, 07 Nov 2025 03:38:39 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1a9730cb-af03-4f32-a192-31a95433e35H/cjuj-n07.html</guid><dc:date>2025-11-07T03:38:39Z</dc:date></item><item><title>French filmmaker Olivier Assayas’ &lt;em&gt;Suspended Time&lt;/em&gt;: Did “time stand still” during the height of the pandemic?</title><link>https://www.wsws.org/en/articles/2025/11/05/pkgp-n05.html</link><description>Two brothers and their girlfriends are confined to the brothers’ family home in the countryside southwest of Paris.</description><pubDate>Wed, 05 Nov 2025 05:52:23 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/cb955284-7182-4e7b-b131-6327d1b6c71M/pkgp-n05.html</guid><dc:date>2025-11-05T05:52:23Z</dc:date></item><item><title>&lt;em&gt;Pike River&lt;/em&gt; film whitewashes Labour Party and union’s role in New Zealand mine disaster</title><link>https://www.wsws.org/en/articles/2025/11/04/eooy-n04.html</link><description>The film rewrites history to promote the Labour Party and the union bureaucracy, obscuring their role both in the 2010 mine disaster, which killed 29 people, and in the ongoing cover-up.</description><pubDate>Tue, 04 Nov 2025 03:59:27 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/bb084af4-a14e-4108-9049-d0d88bac37aD/eooy-n04.html</guid><dc:date>2025-11-04T03:59:27Z</dc:date></item><item><title>Charlie Chaplin’s &lt;em&gt;The Gold Rush&lt;/em&gt;: A century after its release</title><link>https://www.wsws.org/en/articles/2025/10/31/czvh-o31.html</link><description>In creating his Little Tramp character, Chaplin took a social type that was reviled by official bourgeois society—the vagrant, the unemployed man, the person without property—and turned him into arguably the most beloved character in the world.</description><pubDate>Fri, 31 Oct 2025 23:13:29 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8f093bb4-b258-4af1-b126-a593f4684e3A/czvh-o31.html</guid><dc:date>2025-10-31T23:13:29Z</dc:date></item><item><title>&lt;em&gt;Apocalypse in the Tropics&lt;/em&gt;: A limited analysis of religion and politics in Brazil</title><link>https://www.wsws.org/en/articles/2025/10/31/lbts-o31.html</link><description>The documentary has attracted an audience seeking to understand the rise of Bolsonaro in Brazil, but it ignores the role played by the Workers Party (PT) of President Lula.</description><pubDate>Fri, 31 Oct 2025 02:06:10 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/957903c5-1aae-4f15-b12e-fd523a7ee2dD/lbts-o31.html</guid><dc:date>2025-10-31T02:06:10Z</dc:date></item><item><title>&lt;em&gt;Orwell: 2+2=5&lt;/em&gt;–Raoul Peck’s film about George Orwell and contemporary events</title><link>https://www.wsws.org/en/articles/2025/10/27/dics-o27.html</link><description>What is one to make of the events referenced to in &lt;em&gt;2+2=5&lt;/em&gt;, many of them disturbing or even horrifying? And what is to be done about them? </description><pubDate>Mon, 27 Oct 2025 03:51:53 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/acddefae-51dd-4265-bf21-a72569442b3A/dics-o27.html</guid><dc:date>2025-10-27T03:51:53Z</dc:date></item><item><title>&lt;em&gt;Eddington&lt;/em&gt;: Lost in the desert</title><link>https://www.wsws.org/en/articles/2025/10/23/hnsh-o23.html</link><description>A filmmaker seeking to dramatize the explosive political climate in 2020 would be faced with significant artistic challenges, but also major opportunities.</description><pubDate>Thu, 23 Oct 2025 02:38:02 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e228b2db-e36b-4586-848f-d3cd6b6c0f9J/hnsh-o23.html</guid><dc:date>2025-10-23T02:38:02Z</dc:date></item><item><title>&lt;em&gt;One Battle After Another&lt;/em&gt;: Paul Thomas Anderson’s drama of rebellion and repression</title><link>https://www.wsws.org/en/articles/2025/10/04/xvwh-o04.html</link><description>Whatever the weaknesses and confused or poorly developed elements, Anderson deserves full credit for making an appalled and outspoken film</description><pubDate>Sat, 04 Oct 2025 03:17:22 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/df4a6a85-3114-4eae-8f8d-b510e2d976bG/xvwh-o04.html</guid><dc:date>2025-10-04T03:17:22Z</dc:date></item><item><title>King Vidor’s World War I film &lt;em&gt;The Big Parade&lt;/em&gt; at 100</title><link>https://www.wsws.org/en/articles/2025/10/01/pjpm-o01.html</link><description>With its soldier's eye view, realistic depiction of battle and rejection of national chauvinism, the film departed significantly from previous treatments of the imperialist slaughter.</description><pubDate>Wed, 01 Oct 2025 01:46:24 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a6a7c111-c984-43da-a71d-bda643a99f9H/pjpm-o01.html</guid><dc:date>2025-10-01T01:46:24Z</dc:date></item><item><title>Ethan Coen’s &lt;em&gt;Honey Don’t!&lt;/em&gt;: A private detective sets to work in “non-glamorous” California</title><link>https://www.wsws.org/en/articles/2025/09/20/qqhp-s20.html</link><description>Generally, &quot;neo-noir&quot; efforts have little of the urgency, social bite or purposefulness of the earlier films.</description><pubDate>Sat, 20 Sep 2025 02:57:15 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/d262a8fd-f6f9-475c-9c02-a98e2807999O/qqhp-s20.html</guid><dc:date>2025-09-20T02:57:15Z</dc:date></item></channel></rss>