<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>Film Festivals</title><link>https://www.wsws.org/en/topics/artsCategory/ffests</link><description /><item><title>&lt;em&gt;Enough is Enough&lt;/em&gt;: Catastrophe in the Democratic Republic of the Congo</title><link>https://www.wsws.org/en/articles/2026/05/27/rolr-m27.html</link><description>The scramble for these resources has resulted in the decades of civil war, with various groups and armed bands seeking to gain control of territory.</description><pubDate>Wed, 27 May 2026 04:28:08 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/40f6f0bd-4cf2-4ad0-a664-df872b34df1B/rolr-m27.html</guid><dc:date>2026-05-27T04:28:08Z</dc:date></item><item><title>&lt;em&gt;First They Came for My College&lt;/em&gt;:  Right-wing “human dust” mount takeover of New College of Florida</title><link>https://www.wsws.org/en/articles/2026/05/21/rvre-m21.html</link><description>Bresnan’s film sets out the sordid details of this far-right maneuver in all its repulsive transparency.</description><pubDate>Thu, 21 May 2026 03:56:18 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ff2f2493-a6f7-4ed6-a9d3-ceb159579dcH/rvre-m21.html</guid><dc:date>2026-05-21T03:56:18Z</dc:date></item><item><title>The consequences of extreme exploitation – &lt;em&gt;Enjoy Your Stay&lt;/em&gt; and &lt;em&gt;I Understand Your Displeasure&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/04/13/jnpj-a13.html</link><description>Both films underscore a central truth: under capitalism, personal decisions can be so severely restricted that they become almost irrelevant.</description><pubDate>Mon, 13 Apr 2026 00:57:31 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/05daf152-e1b0-4831-af45-d2563c49b23G/jnpj-a13.html</guid><dc:date>2026-04-13T00:57:31Z</dc:date></item><item><title>&lt;em&gt;Scenario&lt;/em&gt; (&lt;em&gt;Szenario&lt;/em&gt;): A documentary normalises German militarism</title><link>https://www.wsws.org/en/articles/2026/04/08/jiac-a08.html</link><description>The director says she had “real images of war in her mind” while filming and wonders about “what context I see them”—but “context” is precisely what is missing from her film.</description><pubDate>Wed, 08 Apr 2026 01:20:44 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8c464094-9d40-4099-b62e-18a650e94c9F/jiac-a08.html</guid><dc:date>2026-04-08T01:20:44Z</dc:date></item><item><title>Berlinale Retrospective: A look back at the fall of the Berlin Wall—“Lost in the 90s”</title><link>https://www.wsws.org/en/articles/2026/04/04/bjrd-a04.html</link><description>The burning problems of the present day, genocidal wars, dictatorship and increasing social decline, bring to mind the claims made in the period immediately following the end of the Cold War.</description><pubDate>Sat, 04 Apr 2026 01:12:16 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/f1ceaaef-8fa2-47b3-ba78-721657bed21K/bjrd-a04.html</guid><dc:date>2026-04-04T01:12:16Z</dc:date></item><item><title>More Berlinale short films: &lt;em&gt;Cosmonauts&lt;/em&gt;, &lt;em&gt;With a Kind Regard&lt;/em&gt;, &lt;em&gt;Graft Versus Host&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2026/03/25/zpcy-m25.html</link><description>In the face of official prejudice and indifference, filmmakers fight for solidarity and compassion in a series of short films at the Berlin film festival.</description><pubDate>Wed, 25 Mar 2026 23:24:14 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1f0bc99d-81f4-4a91-a12c-153e1dcd449G/zpcy-m25.html</guid><dc:date>2026-03-25T23:24:14Z</dc:date></item><item><title>Berlinale short films: A search for social cohesion and direction in a world full of war and disasters</title><link>https://www.wsws.org/en/articles/2026/03/21/ynqe-m21.html</link><description>The selection, which also included animations, offered some whimsical pieces, many focused on individual emotions, as well as thoughtful explorations of social and historical issues.</description><pubDate>Sat, 21 Mar 2026 02:28:12 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/595c4edc-a6a8-4467-ad80-7fb642ffd59K/ynqe-m21.html</guid><dc:date>2026-03-21T02:28:12Z</dc:date></item><item><title>Blind in the right eye – &lt;em&gt;Prosecution&lt;/em&gt; – and a documentary about German dramatist Einar Schleef</title><link>https://www.wsws.org/en/articles/2026/03/11/xmrj-m11.html</link><description>In an interview, the film’s young director correctly noted: “We can’t really understand the German judicial system without taking its Nazi past into account.&quot;</description><pubDate>Wed, 11 Mar 2026 00:57:56 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a5743643-1f53-4819-b8cd-0a41c8e8ae5J/xmrj-m11.html</guid><dc:date>2026-03-11T00:57:56Z</dc:date></item><item><title>A warning against dictatorship: Berlinale’s main prize winner &lt;em&gt;Yellow Letters&lt;/em&gt;—and more government censorship at the festival</title><link>https://www.wsws.org/en/articles/2026/03/07/ejjy-m07.html</link><description>The German-Turkish-French co-production &lt;em&gt;Yellow Letters&lt;/em&gt; by Ilker Çatak is a powerful warning against the threat of censorship and state oppression, including in Germany and other countries.</description><pubDate>Sat, 07 Mar 2026 03:00:17 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/66c2f75c-9017-4713-8c75-d9f3d09cd82P/ejjy-m07.html</guid><dc:date>2026-03-07T03:00:17Z</dc:date></item><item><title>German government declares “no politics” at the Berlinale ... unless it’s the politics of the government</title><link>https://www.wsws.org/en/articles/2026/03/04/mgxl-m04.html</link><description>The films reviewed here are collaborations between Israeli and Arab filmmakers and actors seeking to come to grips with the catastrophic consequences of Israel’s oppression of the Palestinian people.</description><pubDate>Wed, 04 Mar 2026 03:38:49 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/dcdaeb6f-35d1-4019-a509-ffb410b427cN/mgxl-m04.html</guid><dc:date>2026-03-04T03:38:49Z</dc:date></item><item><title>Increasing social criticism in Berlin and a new, committed tone of film realism: &lt;em&gt;The Red Hangar&lt;/em&gt; from Chile</title><link>https://www.wsws.org/en/articles/2026/03/01/hnmg-m01.html</link><description>A growing number of younger filmmakers are turning their attention to history and the current threats to human relationships posed by war, state repression, fascist violence and extreme exploitation.</description><pubDate>Sun, 01 Mar 2026 23:35:02 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/fe2f17c3-2ee0-40b6-b885-18a4f22e4adB/hnmg-m01.html</guid><dc:date>2026-03-01T23:35:02Z</dc:date></item><item><title>Berlinale award winners demand festival and its backers take a clear stand against Gaza genocide</title><link>https://www.wsws.org/en/articles/2026/02/24/dmwt-f24.html</link><description>The support for Israel’s genocidal policy by the German government and cultural institutions was the subject of fierce and prolonged protest at this year’s Berlinale.</description><pubDate>Tue, 24 Feb 2026 03:34:02 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/91372ad2-b6bf-4ef0-b8b4-958759259f8G/dmwt-f24.html</guid><dc:date>2026-02-24T03:34:02Z</dc:date></item><item><title>More than 100 film artists condemn Berlinale’s censorship of opposition to Israel’s Gaza genocide</title><link>https://www.wsws.org/en/articles/2026/02/20/eogy-f20.html</link><description>The open letter quotes Chinese artist Ai Weiwei who described what was taking place in Germany as “doing what they did in the 1930s.”</description><pubDate>Fri, 20 Feb 2026 01:34:32 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/09439c59-d30d-4cf5-a0b4-ad56373cf1bC/eogy-f20.html</guid><dc:date>2026-02-20T01:34:32Z</dc:date></item><item><title>Berlin film festival jury president Wim Wenders insists the role of artists is to “stay out of politics”</title><link>https://www.wsws.org/en/articles/2026/02/16/goyl-f16.html</link><description>Well-known Indian author Arundhati Roy announced her plan to turn down an invitation to attend the festival due to her disgust at the comments made by Wenders and other jury members.</description><pubDate>Mon, 16 Feb 2026 02:17:06 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/01c01b5c-ca0c-4f10-a56e-20f7cdf1bc2A/goyl-f16.html</guid><dc:date>2026-02-16T02:17:06Z</dc:date></item><item><title>Film, television and trends and events in art and culture in 2025</title><link>https://www.wsws.org/en/articles/2025/12/31/ageq-d31.html</link><description>It was inevitable that new tensions should find expression in artists’ work and erupt as well as within existing industries and institutions</description><pubDate>Wed, 31 Dec 2025 05:29:17 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4a0bf1e8-fc6c-42a7-bd10-bdd3e5ded80I/ageq-d31.html</guid><dc:date>2025-12-31T05:29:17Z</dc:date></item><item><title>&lt;em&gt;The Voice of Hind Rajab&lt;/em&gt;, film on the murder of 6-year-old girl in Gaza, finally receives distribution in US</title><link>https://www.wsws.org/en/articles/2025/10/29/owbd-o29.html</link><description>The film had until recently been the target of pro-Zionist political censorship in the US and in Hollywood’s upper echelons in particular.</description><pubDate>Wed, 29 Oct 2025 04:42:51 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e8c4912f-6f9b-4510-b654-f035449d6a4A/owbd-o29.html</guid><dc:date>2025-10-29T04:42:51Z</dc:date></item><item><title>Toronto International Film Festival to screen propaganda film for Israel’s genocide in Gaza</title><link>https://www.wsws.org/en/articles/2025/09/10/akax-s10.html</link><description>The process by which the film became a TIFF marquee event underscores the central role financial and imperialist foreign policy interests play in the country’s major cultural institutions.</description><pubDate>Wed, 10 Sep 2025 02:44:09 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/09c7c573-d7f7-4aef-aef2-2671c536012M/akax-s10.html</guid><dc:date>2025-09-10T02:44:09Z</dc:date></item><item><title>82nd Venice International Film Festival: Thousands protest against the genocide in Gaza </title><link>https://www.wsws.org/en/articles/2025/09/03/fkrc-s03.html</link><description>Organizers of the anti-genocide rally described it as “possibly the largest protest ever seen at a major film event.”</description><pubDate>Wed, 03 Sep 2025 03:33:57 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/9dd7965d-3117-4ab9-ad66-dcb35826878M/fkrc-s03.html</guid><dc:date>2025-09-03T03:33:57Z</dc:date></item><item><title>At Cannes film festival: Robert De Niro speaks out against Trump and dictatorship, more opposition to Gaza genocide and Kevin Spacey denounces blacklisting</title><link>https://www.wsws.org/en/articles/2025/05/23/tnad-m23.html</link><description>De Niro finished his speech by recalling the revolutionary slogans of the French Revolution—“Liberté, Égalité, Fraternité.”</description><pubDate>Fri, 23 May 2025 01:11:15 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4afb6a50-cf64-4baa-9617-a205e4812e2J/tnad-m23.html</guid><dc:date>2025-05-23T01:11:15Z</dc:date></item><item><title>&lt;em&gt;Only on Earth&lt;/em&gt; (Spain), &lt;em&gt;The Wolves Always Come at Night&lt;/em&gt; (Mongolia), &lt;em&gt;I Dreamed His Name&lt;/em&gt; (Colombia), &lt;em&gt;The Brink of Dreams&lt;/em&gt; (Egypt) and &lt;em&gt;Beloved Tropic&lt;/em&gt; (Panama): Sincerity and passivity</title><link>https://www.wsws.org/en/articles/2025/05/20/sezl-m20.html</link><description>There are many difficult, urgent social, political and cultural problems at present. And there are numerous filmmakers willing to address them, to one extent or another.</description><pubDate>Tue, 20 May 2025 04:33:47 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/abe8ae78-e681-4be4-bc04-9a74645ef26K/sezl-m20.html</guid><dc:date>2025-05-20T04:33:47Z</dc:date></item><item><title>Hundreds of directors, writers, actors denounce Israeli genocide in Gaza and the film industry’s “silence,” “indifference” and “passivity”</title><link>https://www.wsws.org/en/articles/2025/05/14/kmjm-m14.html</link><description>The letter begins by calling attention to the fate of 25-year-old Fatma Hassoun, a Palestinian freelance photojournalist, murdered in an Israeli air strike on April 16.</description><pubDate>Wed, 14 May 2025 04:28:37 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8ee58533-0749-4404-9924-aa661a2f933P/kmjm-m14.html</guid><dc:date>2025-05-14T04:28:37Z</dc:date></item><item><title>&lt;em&gt;Ricky&lt;/em&gt;, &lt;em&gt;Mad Bills to Pay (or Destiny, dile que no soy malo)&lt;/em&gt; and American social reality, Kiyoshi Kurosawa’s &lt;em&gt;Cloud&lt;/em&gt; and &lt;em&gt;Triumph&lt;/em&gt; from Bulgaria</title><link>https://www.wsws.org/en/articles/2025/05/09/owdl-m09.html</link><description>To find in reality the basis for changing the existing state of things, the artist has to approach reality with anger and partisanship.</description><pubDate>Fri, 09 May 2025 21:38:55 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/6ff77c88-f150-4ee8-80f4-78f5e50201dG/owdl-m09.html</guid><dc:date>2025-05-09T21:38:55Z</dc:date></item><item><title>&lt;em&gt;Souleymane’s Story&lt;/em&gt;, &lt;em&gt;Xoftex&lt;/em&gt; and &lt;em&gt;Where the Wind Comes From&lt;/em&gt;: “I don’t know why I came to France”</title><link>https://www.wsws.org/en/articles/2025/04/25/zrtn-a25.html</link><description>The phrase “precarious work” may be metaphorical in some cases, but in the unstable and perilous existence Souleymane leads the “precariousness” is real and ever-present.</description><pubDate>Fri, 25 Apr 2025 02:38:08 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4b5f6f76-9f87-4556-b28e-58495d0b89aO/zrtn-a25.html</guid><dc:date>2025-04-25T02:38:08Z</dc:date></item><item><title>&lt;em&gt;The Settlement&lt;/em&gt;, a highly topical film from Egypt dealing with the working class</title><link>https://www.wsws.org/en/articles/2025/03/30/mpri-m30.html</link><description>This is a gripping film, without nostalgic working class romanticism or &quot;proletarian hero&quot; pathos, and also without the moralistically tinged tone of petty-bourgeois intellectuals, which characterises many other socially critical films.</description><pubDate>Sun, 30 Mar 2025 23:49:10 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/2bd5a434-abd8-41dd-8844-03fd52b95bbD/mpri-m30.html</guid><dc:date>2025-03-30T23:49:10Z</dc:date></item><item><title>Vivian Qu’s &lt;em&gt;Girls on Wire&lt;/em&gt; from China—A doomed attempt to combine social realism with #MeToo </title><link>https://www.wsws.org/en/articles/2025/03/26/sacg-m26.html</link><description>The message of the movie appears not to go beyond the platitudes of MeToo: that “women” although, inevitably the victim, are also “strong,” while men invariably tend to be bad.</description><pubDate>Wed, 26 Mar 2025 01:38:11 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/5fd35e5e-331a-422c-a6f1-3eefbc68751A/sacg-m26.html</guid><dc:date>2025-03-26T01:38:11Z</dc:date></item><item><title>Two films dealing with racism and fascism: &lt;em&gt;The Moelln Letters&lt;/em&gt; and &lt;em&gt;The Lie&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/03/22/pkyc-m22.html</link><description>Together with &lt;em&gt;The German People&lt;/em&gt;, the documentaries &lt;em&gt;The Moelln Letters&lt;/em&gt; and &lt;em&gt;The Lie&lt;/em&gt; were met with great interest at this year’s Berlin film festival.</description><pubDate>Sat, 22 Mar 2025 02:13:45 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/998aa88d-07eb-47d4-9aff-4d5f8263cc3O/pkyc-m22.html</guid><dc:date>2025-03-22T02:13:45Z</dc:date></item><item><title>Healthcare on the brink: &lt;em&gt;Palliative Care Unit&lt;/em&gt; and &lt;em&gt;Late Shift&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/03/17/zaeq-m17.html</link><description>&lt;em&gt;Late Shift&lt;/em&gt; in particular is a stirring tribute to an important layer of the working class that takes its work seriously despite adverse circumstances.</description><pubDate>Mon, 17 Mar 2025 01:11:08 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a4ed850d-1131-411d-9454-92ebe73f139M/zaeq-m17.html</guid><dc:date>2025-03-17T01:11:08Z</dc:date></item><item><title>More short films in Berlin—&lt;em&gt;Mother’s Child&lt;/em&gt; from the Netherlands, &lt;em&gt;Ordinary Life&lt;/em&gt; and global clickworkers in &lt;em&gt;Their Eyes&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/03/11/cvyb-m11.html</link><description>Films about the end of the welfare state, government surveillance and a new form of global wage slavery.</description><pubDate>Tue, 11 Mar 2025 02:19:09 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/c6e1264e-3ae3-404d-94da-b627f2723faJ/cvyb-m11.html</guid><dc:date>2025-03-11T02:19:09Z</dc:date></item><item><title>Short films and their view of history: &lt;em&gt;How Are You?&lt;/em&gt;, &lt;em&gt;Lloyd Wong, Unfinished&lt;/em&gt; and &lt;em&gt;Ceasefire&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/03/10/pizg-m10.html</link><description>Many of the 20 short films from 18 different countries at this year’s Berlinale dealt with historical issues in one way or another.</description><pubDate>Mon, 10 Mar 2025 01:32:17 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/6dde95f6-4157-445e-994c-00699812ae3J/pizg-m10.html</guid><dc:date>2025-03-10T01:32:17Z</dc:date></item><item><title>Three valuable films from Palestine and Germany: &lt;em&gt;Yalla Parkour&lt;/em&gt;, &lt;em&gt;Köln 75&lt;/em&gt;, &lt;em&gt;Leibniz&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2025/03/07/ncra-m07.html</link><description>&lt;em&gt;Yalla Parkour&lt;/em&gt; highlights the resilience of the youth in Gaza, their courageous attempts to make something out of nothing. </description><pubDate>Fri, 07 Mar 2025 02:20:00 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/a923fc66-9c2b-42fc-8f1e-094bd4c4f65I/ncra-m07.html</guid><dc:date>2025-03-07T02:20:00Z</dc:date></item><item><title>Actress Tilda Swinton condemns “state-perpetrated and internationally enabled genocide” at Berlinale</title><link>https://www.wsws.org/en/articles/2025/02/21/mfzu-f21.html</link><description>In her vivid, at times poetic remarks, Swinton described the cinema as a boundless haven of freedom and solidarity, qualities increasingly difficult to find in the world.</description><pubDate>Fri, 21 Feb 2025 01:42:57 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1ccaa641-daca-4e53-99de-b29366beec8F/mfzu-f21.html</guid><dc:date>2025-02-21T01:42:57Z</dc:date></item><item><title>The political censorship of &lt;em&gt;No Other Land&lt;/em&gt; in the US, the film exposing Israeli criminality and violence on the West Bank: “Americans have a responsibility”</title><link>https://www.wsws.org/en/articles/2025/01/13/dejp-j13.html</link><description>To speak the truth about oppression in the West Bank is impermissible because it unavoidably points to the wider issue of Zionist crimes.</description><pubDate>Mon, 13 Jan 2025 02:14:20 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/14110899-e4af-4349-bc55-86069cb0184O/dejp-j13.html</guid><dc:date>2025-01-13T02:14:20Z</dc:date></item><item><title>Film, television and politics in 2024</title><link>https://www.wsws.org/en/articles/2024/12/31/ebdv-d31.html</link><description>Amid war, austerity and the promotion of far-right forces, a major radicalisation of workers and youth is underway. Films and television series have spoken very weakly so far to these complex, convulsive processes.</description><pubDate>Tue, 31 Dec 2024 04:10:22 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8a81cb03-fcb7-412b-8e1f-86a7329caf1H/ebdv-d31.html</guid><dc:date>2024-12-31T04:10:22Z</dc:date></item><item><title>&lt;em&gt;No Other Land&lt;/em&gt; playing in New York for one week but no US distributor—A courageous indictment of Israel’s crimes and its defenders</title><link>https://www.wsws.org/en/articles/2024/11/02/ebgf-n02.html</link><description>The film recounts the expulsion of Palestinian villagers from Masafer Yatta, a settlement of 19 villages south of Hebron in the West Bank.</description><pubDate>Sat, 02 Nov 2024 02:09:32 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/d4fa5bf5-0244-4c0a-89c1-b9511f913afI/ebgf-n02.html</guid><dc:date>2024-11-02T02:09:32Z</dc:date></item><item><title>2024 Cannes Film Festival: #MeToo shows its reactionary colors</title><link>https://www.wsws.org/en/articles/2024/05/25/ewfj-m25.html</link><description>In the face of mass murder in Gaza and unfolding world war, the #MeToo activists demonstrated their indifference to the mass suffering. </description><pubDate>Sat, 25 May 2024 02:45:38 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/24a622c5-cdf1-48fe-989e-6c8c76f5664N/ewfj-m25.html</guid><dc:date>2024-05-25T02:45:38Z</dc:date></item><item><title>&lt;em&gt;Agent of Happiness&lt;/em&gt;, &lt;em&gt;Sidonie in Japan&lt;/em&gt;, &lt;em&gt;Woodland&lt;/em&gt;: “Do I have to say I’m happy?”</title><link>https://www.wsws.org/en/articles/2024/05/04/rxxw-m04.html</link><description>&lt;em&gt;Agent of Happiness&lt;/em&gt; is a documentary about the “Gross National Happiness” survey conducted in the small kingdom of Bhutan, situated between India and China.</description><pubDate>Sat, 04 May 2024 03:00:41 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/6b130445-8002-4548-bd42-475d155fa55A/rxxw-m04.html</guid><dc:date>2024-05-04T03:00:41Z</dc:date></item><item><title>&lt;em&gt;The Teacher,&lt;/em&gt; from the occupied West Bank, and &lt;em&gt;Empty Nets&lt;/em&gt; from Iran: “The system … is perverted”</title><link>https://www.wsws.org/en/articles/2024/05/02/yplt-m02.html</link><description>The ongoing Israeli mass murder in Gaza and stepped up brutality and repression on the West Bank provide immediate, living context, if such be needed, for Farah Nabulsi’s film.</description><pubDate>Thu, 02 May 2024 00:19:20 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/fb5ed2b6-1e53-4437-896b-c1815dfae72A/yplt-m02.html</guid><dc:date>2024-05-02T00:19:20Z</dc:date></item><item><title>&lt;em&gt;Herzsprung&lt;/em&gt; (1992): A sober look at German reunification</title><link>https://www.wsws.org/en/articles/2024/03/25/bgeu-m25.html</link><description>The recent Berlinale presented a series of German films from the postwar period as part of its annual Retrospective with the title: “An Alternate Cinema—From the Archives of the German Cinematheque.”</description><pubDate>Mon, 25 Mar 2024 00:02:08 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/e4fd59b4-ec9b-4150-83ea-611091f46aeH/bgeu-m25.html</guid><dc:date>2024-03-25T00:02:08Z</dc:date></item><item><title>Short films in Berlin: Surreal and realistic depictions of “the absurdity of our capitalist times”</title><link>https://www.wsws.org/en/articles/2024/03/11/mkgp-m11.html</link><description>Wars, climate catastrophes, social devastation—the state of global capitalism  are the real basis of many of the short films shown at this year’s Berlinale.</description><pubDate>Mon, 11 Mar 2024 01:39:32 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/0786e63b-aab4-454a-b948-63f40ecf41bA/mkgp-m11.html</guid><dc:date>2024-03-11T01:39:32Z</dc:date></item><item><title>Golden Bear winner &lt;em&gt;Dahomey&lt;/em&gt; and &lt;em&gt;Which Way Africa?&lt;/em&gt;</title><link>https://www.wsws.org/en/articles/2024/03/08/szri-m08.html</link><description>The awarding of the Golden Bear to the documentary by the French-Senegalese director Mati Diop is an indication that the dominant influence of identity politics in the cultural sector is losing ground.</description><pubDate>Fri, 08 Mar 2024 01:13:40 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/89a0fc19-bcb7-4813-9c9f-a78b63179b4M/szri-m08.html</guid><dc:date>2024-03-08T01:13:40Z</dc:date></item><item><title>&lt;em&gt;From Hilde, With Love&lt;/em&gt;: Resistance to fascism then and now</title><link>https://www.wsws.org/en/articles/2024/03/04/kpfy-m04.html</link><description>With its portrayal of the young anti-fascist Hilde Coppi, Andreas Dresen’s new film recalls the varied forms of resistance to Hitler pursued by young people and working-class circles—so-called ordinary Germans.</description><pubDate>Mon, 04 Mar 2024 02:33:44 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/1f5a642f-6ef3-418d-9b13-9fed513f089J/kpfy-m04.html</guid><dc:date>2024-03-04T02:33:44Z</dc:date></item><item><title>Will books be burned again in Germany?</title><link>https://www.wsws.org/en/articles/2024/03/01/2172-m01.html</link><description>Because some Berlinale laureates and jurors had the courage to call things by their right names instead of being mouthpieces of the powers that be, they are treated like criminals.</description><pubDate>Fri, 01 Mar 2024 00:28:39 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/b3843191-1d4d-40da-ab3b-721445381bfF/2172-m01.html</guid><dc:date>2024-03-01T00:28:39Z</dc:date></item><item><title>Berlin Film Festival: Artists courageously speak out against Israel’s genocide despite right-wing media agitation</title><link>https://www.wsws.org/en/articles/2024/02/27/e43f-f27.html</link><description>In a significant blow to the German political establishment and media the documentary film &lt;em&gt;No Other Land&lt;/em&gt; won the Panorama Audience Award at this year’s  film festival. A number of film makers made powerful statements against Israel’s genocide.</description><pubDate>Tue, 27 Feb 2024 03:06:02 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/460e0813-cdcf-459c-b851-8b91acb4c84H/e43f-f27.html</guid><dc:date>2024-02-27T03:06:02Z</dc:date></item><item><title>&lt;em&gt;No Other Land&lt;/em&gt;–A courageous statement against Israel’s crimes and their defenders</title><link>https://www.wsws.org/en/articles/2024/02/22/luee-f22.html</link><description>The documentary is a courageous and unsparing indictment of the German, American and other Western governments.</description><pubDate>Thu, 22 Feb 2024 00:41:30 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3cdc6764-28f9-49dd-881a-978a37845e5G/luee-f22.html</guid><dc:date>2024-02-22T00:41:30Z</dc:date></item><item><title>Over 200 film workers protest participation of fascist AfD at Berlin film festival </title><link>https://www.wsws.org/en/articles/2024/02/07/fufe-f07.html</link><description>By inviting the AfD, the Berlin Senate and the Green Party-led Culture Ministry are repudiating the Berlinale’s 2019 pledge to deny a “platform for racist-nationalist propaganda.”</description><pubDate>Wed, 07 Feb 2024 01:48:43 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/ea86651a-1119-458f-bfc9-80a619a86cbP/fufe-f07.html</guid><dc:date>2024-02-07T01:48:43Z</dc:date></item><item><title>Interview with Hany Abu-Assad, Palestinian filmmaker (&lt;em&gt;Paradise Now&lt;/em&gt;, &lt;em&gt;Omar&lt;/em&gt;): “Gaza is the Bastille of our day … a lot is going to change”</title><link>https://www.wsws.org/en/articles/2024/01/25/opmt-j25.html</link><description>One of his most accomplished works is &lt;em&gt;Omar&lt;/em&gt;, a 2013 film about a young Palestinian baker (Adam Bakri) who becomes involved in complex political and moral matters. </description><pubDate>Thu, 25 Jan 2024 03:09:06 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3a7d9db5-531e-4a3e-9eb4-5cd593cb89fH/opmt-j25.html</guid><dc:date>2024-01-25T03:09:06Z</dc:date></item><item><title>The Academy Award nominations, a protest at Sundance and political repression in Hollywood over Gaza genocide</title><link>https://www.wsws.org/en/articles/2024/01/24/nmts-j24.html</link><description>The nominations reflect the different impulses at work in Hollywood. On the one side, genuine concerns about the state of the world; on the other, limited artistic conceptions, commercial pressures and the demands of identity politics.</description><pubDate>Wed, 24 Jan 2024 06:01:40 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/4134cd4b-6735-4041-b9cd-a0063f04d4fK/nmts-j24.html</guid><dc:date>2024-01-24T06:01:40Z</dc:date></item><item><title>&lt;em&gt;How to Come Alive with Norman Mailer&lt;/em&gt;: A documentary approaches the American novelist with sympathy, but not enough scrutiny</title><link>https://www.wsws.org/en/articles/2024/01/11/tgcz-j11.html</link><description>The documentary follows the writer from his boyhood in the 1930s through his service during World War II and throughout his tumultuous literary, journalistic and personal life.</description><pubDate>Thu, 11 Jan 2024 00:43:01 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/3151d72d-6166-4778-b8fc-31643051518F/tgcz-j11.html</guid><dc:date>2024-01-11T00:43:01Z</dc:date></item><item><title>&lt;em&gt;The Riot Report&lt;/em&gt;: A conscientious, flawed examination of the 1967-68 Kerner Commission</title><link>https://www.wsws.org/en/articles/2024/01/05/kqla-j05.html</link><description>The film does not make the point that immediately strikes any politically conscious viewer: such a serious investigation into an urgent social crisis could never happen today.</description><pubDate>Fri, 05 Jan 2024 02:40:11 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/acf0dc14-d64b-4aea-9d7b-5cb3632fc28G/kqla-j05.html</guid><dc:date>2024-01-05T02:40:11Z</dc:date></item><item><title>&lt;em&gt;Three Promises&lt;/em&gt;: A Palestinian family’s view of the Second Intifada</title><link>https://www.wsws.org/en/articles/2023/12/17/yxxs-d17.html</link><description>A documentary about how one West Bank family endured the uprising has burning relevance as Israel intensifies its genocidal campaign against the population of Gaza.</description><pubDate>Sun, 17 Dec 2023 22:40:52 GMT</pubDate><guid isPermaLink="false">http://www.wsws.org/asset/8fb65e66-0654-4422-883d-d6a9f867077I/yxxs-d17.html</guid><dc:date>2023-12-17T22:40:52Z</dc:date></item></channel></rss>